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Orbital - 2Orbital - (CD 2 ONLY) - Rhino Records - Techno

Orbital - 2Orbital - (CD 2 ONLY) - Rhino Records - Techno
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Track Listing

2-1 Omen (7:03)
2-2 Choice (5:34)
2-3 The Naked And The Dead (6:24)
2-4 Sad But True (7:49)
2-5 Style (4:08)
2-6 Funny Break (One Is Enough) (3:57)
2-7 The Girl With The Sun In Her Head (10:28)
2-8 Remind (Live From New York) (6:51)
2-9 Lush (Hervé's 'Tree And Leaf' Remix) (5:06)
2-10 Impact (The Earth Is Burning) (10:26)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Orbital
Title 2Orbital - (CD 2 ONLY)
Label Rhino Records
Catalogue 2564 68909 3
Format CD Album
Released 2009
Genre Techno

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Other Titles by Orbital

PlaySatan LiveSnivilisationThe Bedroom SessionsThe Bedroom SessionsThe SaintAre We Here?Are We Here?BelfastBelfast / Nothing LeftBelfast/Nothing LeftChimeChimeChimeChime


Some Other Artists in the Techno Genre

808 StateThe ShamenEskimos & EgyptDJ DanLuke SlaterThe ProdigyUnderworldSlamCarl CoxThe Chemical BrothersKen IshiiWestBamSven VäthDave ClarkeJbsMobyDynamite Stacey PullenKen IshiSubculture (4)Roel ButzenCristian VogelDave AngelKerosene Tony CrooksBeat In TimeSound ExcitersBob BrownGroove CycloneA Guy Called GeraldChelsea GrinTechnomaniaDonato CapozziIrridiumApollo 440NeomorphBoom Boom SatellitesMike DearbornLostMark Norman

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Some Other Artists on the Rhino Records Label

EaglesRuPaulThe SmithsVarious ArtistsSmiths, ThePrince And The RevolutionDepeche ModeJoy DivisionBreadDigital UndergroundJohn Ottman

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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