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Zero 7 - EP2 - Ultimate Dilemma - Dub

Zero 7 - EP2 - Ultimate Dilemma - Dub
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Track Listing

A1 Give It Away
A2 Polaris
B1 Distractions
B2 Spinning Dub

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Zero 7
Title EP2
Label Ultimate Dilemma
Catalogue UDR040
Format Vinyl 12 Inch
Released 2000
Genre Dub

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Other Titles by Zero 7

AnotherLateNightAnotherLateNightDestinyDestinyDistractionsEnd Theme (Roni Size Remixes)End's Theme - Roni Size Remix'sEPFuturesHomeI Have SeenIn The Waiting LineSimple ThingsSimple ThingsSomersault Album Mix

Some Other Artists in the Dub Genre

Sly & RobbieOui 3Majestic 12Movement 98Stock, Aitken & WatermanGary Clail & On-U Sound SystemSophie Ellis-BextorThe Knights Of The Occasional TableNew KingdomSpeeCarey JohnsonRaz OharaNatural High ProductionsMonyakaTerranovaOosh Sugar Minott & Daddy SpeedoBorder CrossingB.LowApollo 440Sugar BulletBitty McleanGoat DanceKieser.VeltenCheshire CatTwo Right WrongansMarcella FfrenchDJ ShadowRed DragonUnitone Rockers & Black SteelYosser's GangFrantic LanguageDelaney's Rhythm SectionCashmereBad Street BoyThe Whitfield ExpressKeroseneSpring Heel JackLazyboyFaze Action

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Some Other Artists on the Ultimate Dilemma Label

Freeform FiveJadellMagnetMisterjonRunawaysDynamite MCKompisCyclops 4000SpeekaMelaazBobby Hughes ExperienceMagnet & Gemma Hayes

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

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