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Rio & Mars - Boy I Gotta Have You - Dome Records - Techno

Rio & Mars - Boy I Gotta Have You - Dome Records - Techno
Price £5.50

Track Listing

A Boy I Gotta Have You (Rio's Club Mix) (5:42)
B1 Boy I Gotta Have You (Wag Ya Tail Serie A Remix) (6:58)
B2 Get Your Body To Dance (4:05)
C1 Boy I Gotta Have You (Byte Remix) (4:56)
C2 Boy I Gotta Have You (Byte Intrumental) (4:56)
D1 Boy I Gotta Have You (Wag Ya Tail Serie A Extra Time Remix) (5:34)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Rio & Mars
Title Boy I Gotta Have You
Label Dome Records
Catalogue 12DOMEDJ 10121/ 12DOMEDJ 10122
Format Vinyl Double 12 Inch
Released
Genre Techno

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Other Titles by Rio & Mars

Boy I Gotta Have YouBoy I Gotta Have YouGimme! Gimme! Gimme! (A Man After Midnight) (Promo 1)Gimme! Gimme! Gimme! (A Man After Midnight) (Promo 1)Gimme! Gimme! Gimme! A Man After Midnight


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldMobyEskimos & EgyptThe Chemical BrothersSven VäthSlamJbsLuke SlaterDave ClarkeWestBamFormatRoel ButzenSubterfugeSapianoBob BrownBeat In TimeDynamite OrbitalKerosene Cristian VogelTony CrooksCarl CoxSubculture (4)Mark SummersKen IshiScotti DeepDavid RoiseuxStacey PullenSound ExcitersTechnomaniaDJ Dan & Needle DamageLostDonato CapozziMorpheus Mike DearbornAccess 58

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Some Other Artists on the Dome Records Label

SinclairLuluDennis TaylorAndreusRosie GainesErrol ColeWag Ya TailIsabelVicki YoungHil St SoulFull Flava & Ce Ce PenistonIncognitoPara:Disolulu & Bobby WomackD'Influence & D-Vas & Belle MontenegroMike Stevens & Meli'sa MorganHilary MwelwaMike Stevens feat Melisa MorganD-ZineBeverlei BrownBeverley KnightRichard DarbyshireHilaryRobert GordonCooly's Hot BoxFull Flava & Donna GardierConya DossDarwin HobbsD'Influence

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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