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U96 - Das Boot - Love Records - Techno

U96 - Das Boot - Love Records - Techno
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Track Listing

A1 Das Boot (Techno Version) (5:14)
A2 Das Boot (Strings 127) (Ecstacy On Board Version) (4:55)
A3 Das Boot (Accordian Version) (4:46)
B1 Das Boot (131 BPM) (Speed Version) (4:50)
B2 Das Boot (Echo Mix) (5:05)
B3 Das Boot (127 BPM) (Speed Version II) (4:58)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist U96
Title Das Boot
Label Love Records
Catalogue EVOLX 13DJ
Format Vinyl 12 Inch
Released 1991
Genre Techno

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Other Titles by U96

Das BootInside Your DreamsInside Your DreamsInside Your DreamsInside Your DreamsLove ReligionClub BizarreClub BizarreClub BizarreDas BootDas BootDas BootDas BootDas BootDer Kommandant / Come 2Gether


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamDave ClarkeJbsSlamFormatCarl CoxRoel ButzenTony CrooksBeat In TimeDavid RoiseuxDynamite Scotti DeepOrbitalKen IshiKerosene SapianoSubterfugeSubculture (4)Bob BrownSound ExcitersCristian VogelTechnomaniaMark SummersStacey PullenDJ Dan & Needle DamageDoi-OingLostA Guy Called GeraldDonato CapozziMike Dearborn

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Some Other Artists on the Love Records Label

Nikke NicoleMoody Boys, The & ScreamerSkin UpThe Moody Boys & ScreamerRomanThe Moody BoysR&D DepartmentLove Inc. & M.C. NoiseDave AngelMotherland

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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