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Various - Warehouse Wax Volume One - Perception Records - Techno

Various - Warehouse Wax Volume One - Perception Records - Techno
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Track Listing

A1 U.NIK Lethal (6:22)
A2 Atomix Back To The Future (4:23)
A3 P.S.I. Psikotic (5:07)
B1 Marine Boy Small Town Killer (4:45)
B2 The Doors Of Perception Outrage (5:53)
B3 Dimension 5 Utopia (7:00)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Various
Title Warehouse Wax Volume One
Label Perception Records
Catalogue UNI LP 1
Format Vinyl Compilation
Released 1991
Genre Techno

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Other Titles by Various

True Faith The First PhaseLazy DJsFierce Dance Cuts No. 1Regrooves Volume TwoSerious Beats 1Vox Populi: First Choice Sampler 1993 Volume 1Betta Breaks & Beats Volume 1Chicago Kings And Queens Of HouseDifferent Worlds EPDiscotheque E.P.March 88 PreviewsSoul DazeThe Guitar Dance EPThe House Sound Of Chicago - Megamix Vol. 2 - House Strikes AgainThere's A Movement Underground


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenMobyEskimos & EgyptThe Chemical BrothersSven VäthWestBamFormatSlamJbsCarl CoxDave ClarkeLuke SlaterOrbitalStacey PullenKerosene Tony CrooksSapianoScotti DeepRoel ButzenSubterfugeKen IshiBob BrownDynamite David RoiseuxSubculture (4)Beat In TimeMark SummersCristian VogelSound ExcitersTechnomaniaDoi-OingMorpheus Mike DearbornDonato CapozziDJ Dan & Needle DamageLost

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Some Other Artists on the Perception Records Label

Freeman Miguel PlasenciaAtomix & Marine BoyMikee B & Urban HypeDJ ShortyRoyaleUrban HypeLenny Fontana & FreemanU.NIKDopekickDimension 5Unknown ArtistNemahMarine BoyAtomixP.S.I.Urban Hype & Mikee BKelly-GFabio & Grooverider

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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