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The Diceman - Supervisor Error - Vivatonal - Techno

The Diceman - Supervisor Error - Vivatonal - Techno
Price £5.00

Track Listing

A Supervisor Error (6:34)
AA1 V2-00 Backup (4:04)
AA2 Bad Data From Disc (3:27)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist The Diceman
Title Supervisor Error
Label Vivatonal
Catalogue VTT 002
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by The Diceman

Sonic SystemSupervisor Error

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Sven VäthLuke SlaterDJ DanThe ProdigyThe Chemical BrothersRedheadMoby808 StateEskimos & EgyptAquarhythmsSlamUnderworldMauro PicottoJbsUnknown ArtistSystem 7Zombie NationLostWestBamCJ BollandDynamite OrbitalAndreas KremerDavid RoiseuxDeath In VegasRoel ButzenBob BrownDave AngelRobert ArmaniKen IshiEmpirionIgnition TechnicianBen LongCarl CoxDave ClarkeFelix Da HousecatAccess 58Asem ShamaNeomorphThe Shamen

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Some Other Artists on the Vivatonal Label

LMNODiceman / SolaceDiceman, TheBob And IanDicemanL.M.N.O.Solace

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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