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Steve Poindexter & Traxman - Back To The Future EP - Factory Music Chicago - Detroit Techno

Steve Poindexter & Traxman - Back To The Future EP  - Factory Music Chicago - Detroit Techno
Price £10.00

Track Listing

A1 Steve Poindexter Return To The Ghetto
A2 Steve Poindexter & Armando 911
B1 Traxman 1990
B2 Armando Snare Yo Azz Off (Traxman Back To Da 90s Beat Track Rework)


Media Condition » Mint (M)
Sleeve Condition » Mint (M)
Artist Steve Poindexter & Traxman
Title Back To The Future EP
Label Factory Music Chicago
Catalogue FMC001
Format Vinyl 12 Inch
Released 2018
Genre Detroit Techno

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Some Other Artists in the Detroit Techno Genre

Omar-SAux 88Random Noise GenerationSteve PoindexterTheo ParrishVenomousPsyanceJuan AtkinsInner CityJeff MillsTres DementedBottom Feeders, ThePhase90K.O.T.Fascinating RhythmModel 500Model 500 / MaydayUnderground ResistanceKloutVince WatsonRhythim Is RhythimTodd SinesEsser'ayUnderground Resistance & Beat Mechanic, TheDeepChordHostile, Thecv313EMB692 The Hard WayVivaceAstro-PhysicsDrexciyaLemuriaSuburban KnightX-102Open House & Placid AnglesE-DancerFlorenceShop & Innerzone Orchestra

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Information on the Detroit Techno Genre

Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.

Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).

The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete mistake...like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.

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