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Bitty Mclean - It Keeps Raining / True. True. True. - Not On Label - Dub

Bitty Mclean - It Keeps Raining / True. True. True. - Not On Label - Dub
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Track Listing

A It Keeps Raining
B True. True. True.

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Bitty Mclean
Title It Keeps Raining / True. True. True.
Label Not On Label
Catalogue none
Format Vinyl 12 Inch
Genre Dub

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Other Titles by Bitty Mclean

Here I StandHere I StandHere I StandDedicated To The One I LoveDedicated To The One I LoveIt Keeps Rainin' (Tears From My Eyes)It Keeps Rainin' / True True True

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Gary Clail & On-U Sound SystemSly & RobbieMonyakaConcrete NationOui 3Border CrossingMajestic 12Movement 98Stock, Aitken & WatermanPlatinum Radics & Governor TiggyPeace OrchestraF.A.B.G-Flex & The BanditSophie Ellis-BextorThe Knights Of The Occasional TableUnique 3SkylabNew KingdomBeats InternationalCarey JohnsonSystem 7Raz OharaNatural High ProductionsTerranovaTransglobal UndergroundT.C. CurtisB.LowApollo 440Sugar BulletInternational Pony & StepchildPeaking LightsGoat DanceKieser.VeltenCheshire CatTwo Right WrongansMarcella FfrenchThe Art Of NoiseDJ ShadowRed DragonUnitone Rockers & Black Steel

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Some Other Artists on the Not On Label Label

Unknown ArtistTactPunk ChicBig Bang TheorySir GerryMonday MichiruRozallaNetworkDJ S'N'MQueen Of SoulVincent StormfieldBoom!MoonchildTinMen Intenso ProjectSunhatchAnother LevelTP ProjectDJ BigHydraulic Dogs, TheWisdomeBleachin'ATFCMain Ingredients21st Century GirlsMary MaryColeinTaylor CaineAirheadzBig Time CharlieBlue BambooSpandau BalletOnePhatDeevaUxbUnder InfluenceTechnomaniaLove RobotRansomAlliance DCBBG

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

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