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Rising High Collective - Fever Called Love - R & S Records - Techno

Rising High Collective - Fever Called Love - R & S Records - Techno
Price £4.50

Track Listing

A Fever Called Love (Original)
B1 Fever Called Love (London Mix)
B2 Fever Called Love (Alt. Vox Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Rising High Collective
Title Fever Called Love
Label R & S Records
Catalogue RSUK 9
Format Vinyl 12 Inch
Released 1991
Genre Techno

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Other Titles by Rising High Collective

Feel The Fire / Wanna Move Ya (Mixes)Feel The Fire / Wanna Move Ya - The MixesFever Called LoveReach (Remixes)Reach (Remixes)Reach (Remixes) (Promo)Fever Called LoveFever Called LoveFever Called LoveFever Called LoveFever Called LoveFever Called LoveFever Called Love (Remixes)Liquid ThoughtsMagic Roundabout / Guess Who's Back Jack


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Sven Väth808 StateDJ DanThe Chemical BrothersMobyLuke SlaterRedheadJbsUnknown ArtistCarl CoxDave ClarkeSystem 7The ProdigyEskimos & EgyptAquarhythmsUnderworldMauro PicottoDynamite Ben LongRoel ButzenBob BrownZombie NationSlamCJ BollandOrbitalDavid RoiseuxAndreas KremerLostKen IshiEmpirionWestBamDave AngelRobert ArmaniIgnition TechnicianViperXXLTekno TooSpeedy JGaggia & VisionaRave Nation & Juliette Jaimes69Corp & Howie B.

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Some Other Artists on the R & S Records Label

Ken IshiiModel 500EbizooJaydeeWord UpDigital ExcitationBoom Boom SatellitesTommy GeeThursday ClubSpace OperaCircular SunburstThomas FehlmannExtaesia & Steve Johnson Lemon DOutlanderDynamoeSpeed JackAvenue ADons Of QuixoteBrainstormKenny LarkinMLOPraga KhanShanksWax DoctorSven Van HeesSpiritual CombatAphex TwinJosh WinkMundo MuziqueJoey BeltramSource Experience, TheComa ClubAutonationFuture/Past & BalilFuture/PastTournesolDigital VampJam & SpoonSpace Trax

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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