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Rob Dougan - Clubbed To Death #1 - Mo Wax - Down Tempo

Rob Dougan - Clubbed To Death #1 - Mo Wax - Down Tempo
Price £10.00

Track Listing

A1 Clubbed To Death (La Funk Mob Variation)
A2 Clubbed To Death (Darkside)
B Clubbed To Death (First Mix)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Rob Dougan
Title Clubbed To Death #1
Label Mo Wax
Catalogue MW 037
Format Vinyl 12 Inch
Released 1995
Genre Down Tempo

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Other Titles by Rob Dougan

Furious AngelsFurious AngelsClubbed To DeathFurious Angels - Oliver Klein & Dino Lenny MixesFurious AngelsClubbed To DeathClubbed To DeathClubbed To DeathClubbed To DeathClubbed To Death #1Clubbed To Death #1Clubbed To Death #2Clubbed To Death #2Clubbed To Death #2Clubbed To Death (Vinyl 1 & 2)

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Beats InternationalSoul II SoulL.A. MixLoose EndsLisa StansfieldDavid HolmesPauline HenryBarbra StreisandCarly SimonInnocenceNat King ColeBeatsystemZoë BirkettEFUARuby TurnerAloof, TheZoëDiana Brown&Barrie K SharpeSohoGary Clail&On-U Sound SystemCliff RichardJohn Lennon & Yoko Ono Sydney YoungbloodMaxi PriestLes Negresses VertesNTLighthouse FamilyBomb The BassAndy WilliamsSealBarry ManilowCool Down ZoneMckoyEternityOran 'Juice' JonesElton JohnPhyllis NelsonGlamorous HooliganPhil CollinsEngelbert Humperdinck

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Some Other Artists on the Mo Wax Label

DJ ShadowMoney MarkLa Funk MobSukiaLuke VibertRPMDJ Magic MikeAttica BluesSouthAs OneDee C. LeeSam Sever And The Raiders Of The Lost ArtQuannum MC's & Souls Of Mischief & Latyrx & El-PUNKLE & Ian BrownMajor ForceDivine StyleSkelfInnerzone OrchestraFederation, TheDJ Shadow&The Groove RobbersQuannum MC's & Lyrics Born & Poets Of Rhythm, TheVisionisticsPeshayDr. OctagonBubbatunesJordan FieldsStasisUrban TribeBlackaliciousThe FederationUrban Tribe , Lo Fi SensibilitiesZimbabwe Legit & DJ KrushDJ KrushMisturaAndrea ParkerDJ Shadow & DJ KrushPeshay & DillinjaDeep JoyNobukazu TakemuraPalm Skin Productions

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Information on the Down Tempo Genre

Downtempo (or Downbeat) is a laid-back electronic music style similar to ambient music, but usually with a beat or groove unlike the beatless forms of Ambient music. The beat is sometimes made from loops that have a hypnotic feeling. Sometimes the beats are more complicated and more featured instead of being in the background, but even then they are usually less intense than other kinds of electronic music like Trance. Often the name chill out music is used to refer to songs demonstrative of the genre, but those names also refer to other styles of music, and downtempo encompasses a wider variety of styles than those terms alone would indicate. Another related genre is trip hop, though downtempo usually uses a slower tempo than trip hop. Due to the relaxing and often sensual or romantic feel of most downtempo music, along with the absence or minimal use of lyrics or vocals, it is a popular form of background music in 'chill out rooms' of dance parties, and many alternative cafes.

The 1990s brought on a wave of slower paced music which was played throughout chillout rooms—the relaxation sections of the clubs or dedicated sections at electronic music events. Downtempo music started to surface around Ibiza, when DJs and Promoters would bring down the vibe with slower rhythm and gentler electronic music upon approaching sunrise. In 1994, trip hop emerged from Bristol, which combined elements of hip hop beats, drum and bass breaks, and ambient atmospheres at a lower tempo. At the end of 1990s a more melodic instrumental electronica incorporating acoustic sounds with electronic styles emerged under its own umbrella name of downtempo.

In the late 1990s, the Austrian duo Kruder & Dorfmeister popularized the style with their downtempo remixes of pop, hip-hop, and drum and bass tracks with influences of the 70's soul jazz. The British Steve Cobby and Dave McSherry, producing under the name Fila Brazillia, released a handful of downtempo, electronica and ambient techno albums that propelled the style further. Meanwhile the Washington, D.C. locals Eric Hilton and Rob Garza, better known as Thievery Corporation, have introduced the Brazilian sound into the style after discussing the music of Antonio Carlos Jobim, and enriched it further by combining elements of Jamaican dub and reggae.

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