Lighthouse Family - Ocean Drive - Wildcard - Down Tempo
||Out of Stock||
Track ListingA1 Ocean Drive (Linslee '96 Mix)
A2 Ocean Drive (Linslee '96 Instrumental)
B1 Ocean Drive (Micky P Mix)
B2 Ocean Drive (Micky P Instrumental)
Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
|Format||Vinyl 12 Inch|
Other Titles by Lighthouse Family
• (I Wish I Knew How It Would Feel To Be) Free / One (Mutiny Remixes) • Run • (I Wish I Knew How It Would Feel To Be) Free / One (Brother Brown Remixes) • (I Wish I Knew How It Would Feel To Be) Free / One (Phats & Small Remixes) • Goodbye Heartbreak • (I Wish I Knew How It Would Feel To Be) Free / One (Mutiny Remixes) • (I Wish I Knew How It Would Feel To Be) Free / One (Phats & Small Remixes) • Goodbye Heartbreak • Happy - (DISC 2 ONLY) • Happy (Ferry Corsten / Manhattan Clique Mixes) • Happy (Ferry Corsten / Manhattan Clique Mixes) • Lost In Space • Lost In Space • Question Of Faith (Boris Dlugosch Mixes) • Question Of Faith (Boris Dlugosch&Michael Lange Remixes) •
Some Other Artists in the Down Tempo Genre• L.A. Mix • Beats International • Soul II Soul • David Holmes • Pauline Henry • Loose Ends • Innocence • Lisa Stansfield • Barbra Streisand • Elton John • Simon Climie • Ruby Turner • Diana Brown&Barrie K Sharpe • Carly Simon • Beatsystem • Gary Clail&On-U Sound System • Zoë Birkett • EFUA • Zoë • Oran 'Juice' Jones • Phil Collins • Pasadenas, The • Cool Down Zone • Tanita Tikaram • George Michael • Nat King Cole • John Lennon & Yoko Ono • Paul Young • NT • Bomb The Bass • Andy Williams • Howie B. • Aloof, The • Seal • Barry Manilow • Sydney Youngblood • Mckoy • Maxi Priest • Eternity • Phyllis Nelson •
Some Other Artists on the Wildcard Label• Samantha Mumba • Nu Colours • Darkman • China Black • Ultimate Kaos • Alysha Warren • Kele Le Roc • Alisha Warren • Skee-Lo • Alistair Tennant • Montage • Mint Condition • Ultimate Chaos •
Information on the Down Tempo GenreDowntempo (or Downbeat) is a laid-back electronic music style similar to ambient music, but usually with a beat or groove unlike the beatless forms of Ambient music. The beat is sometimes made from loops that have a hypnotic feeling. Sometimes the beats are more complicated and more featured instead of being in the background, but even then they are usually less intense than other kinds of electronic music like Trance. Often the name chill out music is used to refer to songs demonstrative of the genre, but those names also refer to other styles of music, and downtempo encompasses a wider variety of styles than those terms alone would indicate. Another related genre is trip hop, though downtempo usually uses a slower tempo than trip hop. Due to the relaxing and often sensual or romantic feel of most downtempo music, along with the absence or minimal use of lyrics or vocals, it is a popular form of background music in 'chill out rooms' of dance parties, and many alternative cafes.
The 1990s brought on a wave of slower paced music which was played throughout chillout rooms—the relaxation sections of the clubs or dedicated sections at electronic music events. Downtempo music started to surface around Ibiza, when DJs and Promoters would bring down the vibe with slower rhythm and gentler electronic music upon approaching sunrise. In 1994, trip hop emerged from Bristol, which combined elements of hip hop beats, drum and bass breaks, and ambient atmospheres at a lower tempo. At the end of 1990s a more melodic instrumental electronica incorporating acoustic sounds with electronic styles emerged under its own umbrella name of downtempo.
In the late 1990s, the Austrian duo Kruder & Dorfmeister popularized the style with their downtempo remixes of pop, hip-hop, and drum and bass tracks with influences of the 70's soul jazz. The British Steve Cobby and Dave McSherry, producing under the name Fila Brazillia, released a handful of downtempo, electronica and ambient techno albums that propelled the style further. Meanwhile the Washington, D.C. locals Eric Hilton and Rob Garza, better known as Thievery Corporation, have introduced the Brazilian sound into the style after discussing the music of Antonio Carlos Jobim, and enriched it further by combining elements of Jamaican dub and reggae.