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DJ Montana - Klepta Enormus / Platinum - Maelstrom Records - Techno

DJ Montana - Klepta Enormus / Platinum - Maelstrom Records - Techno
Price £5.00

Track Listing

A Klepta Enormus (10:04)
B Platinum (7:22)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist DJ Montana
Title Klepta Enormus / Platinum
Label Maelstrom Records
Catalogue MAELT038
Format Vinyl 12 Inch
Released 2005
Genre Techno

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Other Titles by DJ Montana

DeflorationHolla / ImmobilareHolla / Immobilare - promo version, same mixes

Some Other Artists in the Techno Genre

Sven VäthThe Chemical Brothers808 StateDJ DanMobyLuke SlaterRedheadJbsUnknown ArtistCarl CoxDave ClarkeSystem 7Eskimos & EgyptAquarhythmsUnderworldMauro PicottoThe ProdigyIgnition TechnicianZombie NationWestBamRobert ArmaniLostSlamCJ BollandDynamite OrbitalBen LongAndreas KremerDavid RoiseuxBob BrownRoel ButzenEmpirionDave AngelKen IshiDefinition Of SoundX-Tatic G-ForceTim BakerViperXXLTekno Too

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Some Other Artists on the Maelstrom Records Label

Oliver KleinMassive LustNic VegterGroove CycloneFred NumfScott Mac vs GuffyMr. Sam & Crash Course In ScienceDulux ConnectionJudge Jules & Katie Marne & Cara DillonEddy AirbowZenonDogzillaMarco VBobinaFred Numf vs. Etienne OverdijkSia & JigsawSia & Chris LakePaul NordGuru Josh ProjectSia Vs JigsawDeep Skies & Cassandra FoxCosmic GateMr. Sam

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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