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Rose Royce - Is It Love You're After - Blatant - Disco

Rose Royce - Is It Love You're After - Blatant  - Disco
Price £5.00

Track Listing

A1 Car Wash
A2 Love Don't Live Here Anymore
A3 Magic Touch
A4 Do Your Dance
A5 It Makes You Feel Like Dancin'
B1 Is It Love That You're After
B2 Wishin' On A Star
B3 I Wanna Get Next To You
B4 Put Your Money Where Your Mouth Is
B5 I'm Going Down


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Rose Royce
Title Is It Love You're After
Label Blatant
Catalogue BLAT LP 9
Format Vinyl Album
Released 1988
Genre Disco

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Other Titles by Rose Royce

Is It Love You're AfterLove Me Right NowMusic MagicCar Wash 1998 (The Monday Night Club Mixes)Car Wash 1998 (The Monday Night Club Mixes)Golden TouchGreatest HitsGreatest HitsGreatest HitsGreatest HitsGreatest HitsGreatest HitsGreatest HitsGreatest HitsGreatest Hits


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Donna SummerDiana RossPointer SistersDan HartmanVillage PeopleEvelyn ThomasAmii StewartD-TrainKelly MarieBee GeesSister SledgeHazell DeanGloria GaynorBoney M.HeatwavePhil Fearon & GalaxySharon ReddKool & The GangImaginationAnita WardShalamarUnknown ArtistMiquel BrownCameoThree Degrees, TheCommodoresLinxTavaresCarol JianiEdwin StarrThe Salsoul OrchestraShakatakPrincessHot ChocolateChaka KhanJaki GrahamGibson BrothersDamianLoleatta HollowayPatti Austin

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Some Other Artists on the Blatant Label

HeatwaveGrandmaster Flash & The Furious Five

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Information on the Disco Genre

The disco sound, style and ethos has its roots in the late 1960s. New York City blacks, gays, heterosexuals, women and Hispanics adopted several traits from the hippies and psychedelia. They included overwhelming sound, free form dancing, "trippy" lighting, colorful costumes, and hallucinogens. Psychedelic soul groups like the Chambers Brothers and especially Sly and The Family Stone influenced proto-disco acts such as Isaac Hayes, Willie Hutch and the Philadelphia Sound discussed in the next paragraph. In addition the positivity, lack of irony and earnestness of the hippies informed proto-disco music like M.F.S.B.'s "Love Is the Message.

Philly and New York soul were evolutions of the Motown sound. The Philly Sound is typified by lavish percussion, which became a prominent part of mid-1970s disco songs. Early songs with disco elements include "Only the Strong Survive" (Jerry Butler, 1968), "Message to Love" (The Jimi Hendrix Experience, 1969), "Soul Makossa" (Manu Dibango, 1972) and "The Love I Lost" (Harold Melvin & The Blue Notes, 1973).

The early disco sound was largely an urban American phenomenon with producers and labels such as SalSoul Records (Ken, Joe and Stanley Cayre), Westend Records (Mel Cheren), Casablanca (Neil Bogart), and Prelude (Marvin Schlachter) to name a few. They inspired and influenced such prolific European dance-track producers as Giorgio Moroder and Jean-Marc Cerrone. Moroder was the Italian producer, keyboardist, and composer who produced many songs of the singer Donna Summer. These included the 1975 hit "Love to Love You Baby", a 17-minute-long song with "shimmering sound and sensual attitude". Allmusic.com calls Moroder "one of the principal architects of the disco sound".

The disco sound was also shaped by Tom Moulton who wanted to extend the enjoyment of the music — thus single-handedly creating the "Remix" which has influenced many other latter genres such as techno, and pop. DJs and remixers would often remix (i.e., re-edit) existing songs using reel-to-reel tape machines. Their remixed versions would add in percussion breaks, new sections, and new sounds. Influential DJs and remixers who helped to establish what became known as the "disco sound" included David Mancuso, Tom Moulton, Nicky Siano, Shep Pettibone, the legendary and much-sought-after Larry Levan, Walter Gibbons, and later, New York–born Chicago "Godfather of House" Frankie Knuckles.

Disco was also shaped by nightclub DJs such as Francis Grasso, who used multiple record players to seamlessly mix tracks from genres such as soul, funk and pop music at discothèques, and was the forerunner to later styles such as house. Women also played important roles at the turntable. Karen Cook, the first female disco DJ in the United States, spun the vinyl hits from 1974 – 1977 at 'Elan, Houston, TX, and also programmed music for clubs throughout the US that were owned by McFaddin Ventures.

Data from the Discogs music database. Submit a Release.