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Bassheads - Who Can Make Me Feel Good? - Deconstruction - Techno

Bassheads - Who Can Make Me Feel Good? - Deconstruction - Techno
Price £5.00

Track Listing

Ai Who Can Make Me Feel Good? (Original Mix)
Aii Who Can Make Me Feel Good? (Manchester Underground Balearic Mix)
Bi Who Can Make Me Feel Good? (Manchester Underground Club Mix)
Bii Ooh Baby (7\" Edit)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Bassheads
Title Who Can Make Me Feel Good?
Label Deconstruction
Catalogue 12R 6326
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Bassheads

Start A Brand New Life (Save Me)Start A Brand New Life (Save Me)The Defhouse E.P Vol. 2The Defhouse E.P Vol. 2Who Can Make Me Feel Good?Back To The Old SchoolBack To The Old SchoolBack To The Old SchoolBack To The Old SchoolIs There Anybody Out ThereIs There Anybody Out There?Is There Anybody Out There?Is There Anybody Out There?Is There Anybody Out There?Is There Anybody Out There?


Some Other Artists in the Techno Genre

Sven VäthDJ DanThe Chemical Brothers808 StateRedheadMobySystem 7Eskimos & EgyptAquarhythmsJbsUnderworldLuke SlaterMauro PicottoThe ProdigyUnknown ArtistCarl CoxDave ClarkeDavid RoiseuxZombie NationRobert ArmaniLostWestBamSlamOrbitalBen LongAndreas KremerRoel ButzenBob BrownKen IshiEmpirionDave AngelIgnition TechnicianDJ MontanaMike DearbornFelix Da HousecatAccess 58NeomorphThe ShamenMarco BaileyBlue Pearl

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Some Other Artists on the Deconstruction Label

M PeopleBlack BoxEvolutionHed BoysMaria NaylerLionRockFelixSashaSecret KnowledgeK-KlassDeep DishArielGrid, TheDe'LacyMillionaire HippiesTransatlantic SoulRobert MilesN-JoiBen ChapmanSmells Like HeavenU.S.U.R.A.Criminal Element OrchestraDjaiminGuru JoshVolcanoHarmonixBoneHot HouseWay Out WestPaul JacobsGina FosterCasanova's RevengeFreak PowerN-Joi & TactD-SyneArcaneWay Out West & Joanna LawTiltRepublicaBump

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Data from the Discogs music database. Submit a Release.