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Reese - Funky Funk Funk / Bassline - Network Records - Detroit Techno

Reese - Funky Funk Funk / Bassline - Network Records - Detroit Techno
Price £10.00

Track Listing

A Funky Funk Funk
B Bassline


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Reese
Title Funky Funk Funk / Bassline
Label Network Records
Catalogue NWKT 23
Format Coloured Vinyl 12 Inch
Released 1991
Genre Detroit Techno

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Other Titles by Reese

You're MineYou're MineFunky Funk Funk / BasslineFunky Funk Funk / BasslineJust Want Another Chance - yellow labelRock To The BeatYou're MineYou're Mine , The Heavens


Some Other Artists in the Detroit Techno Genre

Omar-SAux 88Random Noise GenerationSteve PoindexterTheo ParrishVenomousTres DementedPhase90Inner CityPsyanceJuan AtkinsBottom Feeders, TheKloutFascinating RhythmModel 500K.O.T.Steve Poindexter & TraxmanTodd SinesVivaceDeepChordModel 500 / MaydayUnderground ResistanceEMBEsser'ayJeff Mills69Underground Resistance & Beat Mechanic, The2 The Hard WayHostile, TheChaosGlobal Electronic NetworkOptic NerveHazedAbacusIntrusion & cv313IncogdoUnderground Resistance & Shadow, TheMaurizioEsser'ay & Kosmic Messenger & Chez DamierOmar-S & Oasis

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Some Other Artists on the Network Records Label

Reese Project, TheRonni SimonK.W.S.Trinity, TheAltern 8AdevaPandellaVoodoo SuiteParis Grey & Kevin SaundersonRhythm QuestKWSJohnny Zee & D.J. KendellThe Reese ProjectMah So-LThe Trinity Reese Project, The & Funky Green DogsThe Reese Project & CJ MackintoshTrammps, TheRhythim is RhythimReese Project, The & CJ MackintoshJoey Negro & Reese Project, TheJohnny Vicious & MFSBK.W.S. & Rhythm QuestRhythmaticBeverlei BrownForgemastersXONNu Groove LPEnergiseParis Grey & Nexus 21Love Revolution & Neal HowardTrue Faith & Rhythm On The LooseUnderground ResistanceLove RevolutionMarc KinchenTrue Faith & Bridget Grace & Final CutRhythim Is Rhythim & Derrick May & MaydayFinal Cut - True Faith / RhythmaticModel 500Various - Reese Project Unit 2 Chez Damier

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Information on the Detroit Techno Genre

Detroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.

Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).

The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete mistake...like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.

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