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Monyaka - Go Deh Yaka - Polydor - Dub

Monyaka - Go Deh Yaka - Polydor - Dub
Price £5.00

Track Listing

A Go Deh Yaka (Go To The Top) (Club Mix)
B Go Deh Yaka (Go To The Top) (Instrumental/Dub)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Monyaka
Title Go Deh Yaka
Label Polydor
Catalogue POSPX 641
Format Vinyl 12 Inch
Released 1983
Genre Dub

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Other Titles by Monyaka

Go Deh Yaka - 12Reggae-Matic-FunkGo Deh Yaka

Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemSly & RobbieOui 3Border CrossingMajestic 12Movement 98Concrete NationStock, Aitken & WatermanSophie Ellis-BextorSkylabNew KingdomBeats InternationalBomb The Bass & CarltonSpeeCarey JohnsonSystem 7MC WildskiRaz OharaWalkner.MöstlOosh The ConceptT.C. CurtisB.LowApollo 440Peaking LightsGoat DanceKieser.VeltenCheshire CatThe Art Of NoiseDJ ShadowRed DragonUnitone Rockers & Black SteelThe Knights Of The Occasional TableMarkus KienzlSugar Minott & Corner ShotDelaney's Rhythm SectionCashmereBad Street BoyThe Dread Flimstone SoundAudioweb

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Some Other Artists on the Polydor Label

Level 42ShakatakRoxy MusicJean-Michel JarreJames LastCathy DennisVisageOlympic RunnersVanessa WilliamsSunsonicYazzGodley & CremeLadies FirstSecond ImagePeaches & HerbGloria GaynorRainbowPrincessNu ColoursWonder Stuff, TheCoast To CoastThe JamMC Buzz BLighthouse FamilyThe Style CouncilRaissaTony! Toni! Toné!The ShadowsSladeD'BoraJon & VangelisHydraAlistair TennantBryan FerryStyle Council, TheLaTourMelodi BrownBarclay James HarvestJohn Lennon & Yoko OnoSham 69

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.