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The Prodigy - Music For The Jilted Generation - XL Recordings - Techno

The Prodigy - Music For The Jilted Generation - XL Recordings - Techno
Price £5.00

Track Listing

1 Intro (0:46)
2 Break & Enter (8:24)
3 Their Law (6:41)
4 Full Throttle (5:03)
5 Voodoo People (6:27)
6 Speedway (Theme From Fastlane) (8:56)
7 The Heat (The Energy) (4:28)
8 Poison (6:42)
9 No Good (Start The Dance) (6:18)
10 One Love (Edit) (3:53)
The Narcotic Suite
11 3 Kilos (7:26)
12 Skylined (5:58)
13 Claustrophobic Sting (7:12)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist The Prodigy
Title Music For The Jilted Generation
Label XL Recordings
Catalogue XLCD 114
Format CD Album
Released 1994
Genre Techno

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Other Titles by The Prodigy

BreatheBreatheExperienceExperienceFirestarterFirestarterFirestarterInvaders Must DieNo Good (Start The Dance)One LoveOut Of SpaceOut Of SpacePoisonThe Fat Of The LandWind It Up (Rewound)

Some Other Artists in the Techno Genre

808 StateDJ DanCarl CoxEskimos & EgyptLuke SlaterWestBamSven VäthDave AngelThe Chemical BrothersMobySystem 7Zombie NationSlamUnderworldRoel ButzenRedheadJbsStacey PullenLostCristian VogelSapianoOrbitalAndreas KremerTechnomaniaDavid RoiseuxFrankie BonesSound ExcitersThe ShamenBob BrownEmpirionKen IshiIgnition TechnicianMark SummersKlubzone 1Dynamite Unknown ArtistPaul LangleyJohan BactoGee ShockMike Dearborn

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Some Other Artists on the XL Recordings Label

Basement JaxxSlackerDjaimin & DjaybeeProdigy, TheChristopher JustJosh WinkJonny L & Silver BulletHouse Of PainSource, TheExit EEEEtienne De CrécyEbomanLiquidRob TisseraBasement Jaxx & Dizzee RascalEmpirionNatural Born GroovesJonny LPleasant ChemistryElectric SixThe SourceMaximFlowmastersSandmanBreakbeat EraBrooklyn Funk EssentialsStrokeRadioheadRozU.H.F.Stanton WarriorsCapitol KLayo & Bushwacka!Dizzee RascalUgly DucklingFrankie Bones & Lenny DeeDome PatrolBlue StatesThe AvalanchesChrissy Ward

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Data from the Discogs music database. Submit a Release.