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Joey Beltram - Energy Flash - R & S Records - US Techno

Joey Beltram - Energy Flash - R & S Records - US Techno
Price £12.00

Track Listing

A Energy Flash (6:00)


Media Condition » Mint (M)
Sleeve Condition » Mint (M)
Artist Joey Beltram
Title Energy Flash
Label R & S Records
Catalogue RS14ENERGYFLASH
Format Vinyl 12 Inch
Released 2014
Genre US Techno

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Other Titles by Joey Beltram

Game FormArenaArenaBeltram Vol. 1Beltram Vol. 1Beltram Vol. 1Beltram Volume 2Dance GeneratorDemo EP Part OneEnergy FlashEnergy FlashEnergy FlashEnergy FlashEnergy Flash (Graffiti On Mars Remixes)Energy Flash E.P.


Some Other Artists in the US Techno Genre

Inner CityModel 500SysexMobyRYUDave ClarkeNeedle DamageMike WadeOne On OneRhythmaticReese Project, TheHard HatsParis Grey & Kevin SaundersonSharon Dee ClarkeSatoshi TomiieAphroheadLeftfieldTech-Master 3JMD 2MacalusoPlaylandcv313Mateo MurphyExit 100DJ DanBlow Monkeys, TheDJ Marcello & Derrick MayThis Is WarR+S ProjectTrendroidPatterns Of Change, The777Responsible Space PlayboysScott Hardkiss & God WithinCarl CraigEureekaTechfunkersCharm FarmRhythm FormationMr Fingers / Hardrock Striker

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Some Other Artists on the R & S Records Label

JaydeeKen IshiiModel 500Boom Boom SatellitesEbizooWord UpSpace OperaDigital ExcitationLemon DRising High CollectiveSpeed JackShanksTommy GeeThursday ClubCircular SunburstBrainstormThomas FehlmannExtaesia & Steve Johnson Praga KhanDynamoeAvenue ACJ BollandDons Of QuixoteOutlanderKenny LarkinMLOPsycho DrumsTechno GroovesHuman ResourceSun ElectricSpectrumWax DoctorSven Van HeesSpiritual CombatJosh WinkMundo MuziqueMental OverdriveSource Experience, TheComa ClubPulse

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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