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Inner City - Good Life (Eric Prydz Unreleased Mix) - Not On Label (Inner City) - Techno

Inner City - Good Life (Eric Prydz Unreleased Mix) - Not On Label (Inner City) - Techno
Price £5.00

Track Listing

A Good Life (Eric Prydz Unreleased Mix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Inner City
Title Good Life (Eric Prydz Unreleased Mix)
Label Not On Label (Inner City)
Catalogue GOODLIFE
Format Vinyl 12 Inch
Released 2005
Genre Techno

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Other Titles by Inner City

Ain't Nobody BetterDo You Love What You Feel?Till We Meet Again (Remixes)Whatcha Gonna Do With My Lovin'(That Man) He's All MineAin't Nobody Better (Remixes)Buena Vida - The First PartDo Me RightDo Me RightDo Me RightDo YaDo Ya (The 021 Versions)Good Life (Buena Vida)Limited EditionSwingin / Do Me Right


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Carl CoxLuke SlaterThe ProdigyThe Chemical BrothersDJ DanRedhead808 StateMobySven VäthOrbitalUnderworldDave AngelUnknown ArtistSystem 7Eskimos & EgyptAquarhythmsWestBamSlamJbsMauro PicottoKen IshiEmpirionIgnition TechnicianDavid RoiseuxZombie NationRobert ArmaniLostCJ BollandDynamite Rhythm DeviceAndreas KremerTechnomaniaDeath In VegasSound ExcitersRoel ButzenBob BrownMark WilliamsAsem ShamaAngel IceOrlando Careca Vs. The Cosmonut

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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