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Rozzo - Zorro - Bush - Techno

Rozzo - Zorro - Bush - Techno
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Track Listing

055
A Zorro (7:33)
056
B1 Aggressive House (6:31)
B2 Zorro\'s Horse (6:17)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Rozzo
Title Zorro
Label Bush
Catalogue Bush 1026
Format Vinyl 12 Inch
Released 1995
Genre Techno

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Other Titles by Rozzo

The Fusion E.PIndian Summer (Part 1 of 2)Into The SkyInto Your HeartInto Your HeartInto Your HeartInto Your HeartInto Your Heart (Exclusive Mr. Spring Mixes)On To YouThe Fusion E.PThe Fusion EPThe Fusion EPThe Fusion EPTracy's GunZorro


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808 StateLuke SlaterThe ProdigySlamDJ DanDave ClarkeThe ShamenCarl CoxUnderworldJbsSven VäthWestBamMobyEskimos & EgyptThe Chemical BrothersVeinte TresBeat In TimeApollo 440Ken IshiRoel ButzenStacey PullenDynamite Sound ExcitersDave AngelCristian VogelKen IshiiKerosene Bob BrownTony CrooksDonato CapozziA Guy Called GeraldChelsea GrinNeomorphSilo Boom Boom SatellitesIrridiumJosh WinkGroove CycloneMike DearbornLost

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Some Other Artists on the Bush Label

BlakkatGraylockWataru KishidaDevilfishTweetOpen SystemBen TisdallMothership1016Bryan ZentzBuffalo SoldierFilter ScienceEric PowellDave ClarkeAstrid Biewanus & Jean Paul Van EngelenApply WithinBitchBlue BaseNine Is FinePlezThe SandmanAphrohead & Felix Da HousecatMiklós KőváriWoody McBrideAndrew McLauchlanBarb WiredTimo MaasJ DanielStrata 3Trinity, TheWayward MindsMiklos KovarDan Jones presents Creative ImpulseThomas SchumacherChangeAphrohead

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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