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I-Level - In The River - Virgin - Dub

I-Level - In The River - Virgin - Dub
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Track Listing

A In The River (US Remix) (5:20)
B1 In The River (A\'Capella ) (2:25)
B2 In The River (Dub Instrumental) (5:23)
B3 Strangers (3:35)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist I-Level
Title In The River
Label Virgin
Catalogue VS681-12
Format Vinyl 12 Inch
Released 1984
Genre Dub

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In The SandMinefieldStone Heart (Stone Woman)Stone Heart (Stone Woman)Stone Heart (Stone Woman)Stone Heart (Stone Woman)Teacher (Extended Dance Mix)Give MeGive MeGive MeGive MeI-LevelIn The RiverIn The SandMinefield


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemTackheadSugar BulletBeats InternationalConcrete NationMonyakaStock, Aitken & WatermanBorder CrossingMajestic 12Movement 98Zeke ManyikaF.A.B.Oui 3Bad Street BoyPeace OrchestraPlatinum Radics & Governor TiggyFaze ActionUnitone Rockers & Black SteelNew KingdomLazyboyCashmereSystem 7Transglobal UndergroundRichard LugoLarry PeeSly & RobbieInternational Pony & StepchildRaz OharaDJ ShadowThe ConceptYosser's GangCheshire CatMarkus KienzlHome T & Cocoa Tea & Shabba RanksOosh TerranovaHula Red DragonCarey JohnsonBomb The Bass & Carlton

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Some Other Artists on the Virgin Label

Culture ClubMike OldfieldSimple MindsPhil CollinsMai TaiFeargal SharkeyHeaven 17Well RedBoy GeorgeWorking WeekDanny WilsonJanet JacksonLoose EndsFrazier ChorusHabitScritti PolittiGillanBeenie ManThe Human LeagueLenny KravitzEverything But The GirlFloy JoySoul II SoulAgent SumoGenesisScritti Politti & Ranking AnnZeitia MassiahEurythmicsEFUAPhil Collins & Marilyn MartinRoy OrbisonChina CrisisFrankie Knuckles & AdevaWendy & LisaKelisLavine HudsonIt BitesThat Petrol EmotionSugar BulletJohnny Hates Jazz

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.