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Josh Wink - Thoughts Of A Tranced Love - Limbo Records - Techno

Josh Wink - Thoughts Of A Tranced Love - Limbo Records - Techno
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Track Listing

A Thoughts Of A Tranced Love
AA1 Thoughts Of A Tranced Love (Instrumental)
AA2 Percussive Habits


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Josh Wink
Title Thoughts Of A Tranced Love
Label Limbo Records
Catalogue LIMB 33T
Format Vinyl 12 Inch
Released 1994
Genre Techno

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Other Titles by Josh Wink

Hypnotizin'Simple Man516 AcidA Higher State Of Wink's Works - CompiledDon't LaughHow's The MusicHypnotizin' - side a&b onlySimple ManSimple ManSimple ManSimple ManSimple Man (Optical Remixes)Superfreak (Freak) Remixes Part 2Thoughts Of A Tranced LoveThoughts Of A Tranced Love


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808 StateDJ DanThe ProdigyUnderworldThe ShamenSven VäthThe Chemical BrothersMobyEskimos & EgyptCarl CoxLuke SlaterDave ClarkeFormatJbsWestBamSlamBob BrownMark SummersSapianoStacey PullenScotti DeepKerosene David RoiseuxCristian VogelSubculture (4)SubterfugeTechnomaniaKen IshiDynamite Sound ExcitersBeat In TimeRoel ButzenMike DearbornTony CrooksDJ Dan & Needle DamageAccess 58Morpheus A Guy Called GeraldLostDonato Capozzi

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Some Other Artists on the Limbo Records Label

Yosh & Lovedeejay AkemiMukkaaE.E.G.Yosh Presents Lovedeejay AkemiRitmo De VidaDark SessionsHarriPro-ActiveTocayoTecraHavanaPropulsionDean Newton & Warner PowersKayestone & Jack KelseySense Of SolitaireBabrooFlytrappFreespiritFix Victor CalderoneFade & DaubyNicolas FreemanPG1GypsySoul SurfersPlanet '95CL McSpaddenFadeGipsyPaul Oakenfold & Michael Kilkie & Colin Tevendale & Steven McCreeryTippleOptimusPrismChupherStealth Sonic SoulSublimeHavannaFlange SquadDeep PieceStrawberry Bazaar

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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