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Imagination - Night Dubbing - R & B Records - Dub

Imagination - Night Dubbing - R & B Records - Dub
Price £4.50

Track Listing

A1 Flashback (4:47)
A2 Just An Illusion (6:34)
A3 Music And Lights (5:34)
A4 So Good, So Right (4:34)
B1 Body Talk (4:44)
B2 Heart \'n\' Soul (4:03)
B3 Changes (6:24)
B4 Burnin\' Up (4:47)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Imagination
Title Night Dubbing
Label R & B Records
Catalogue RBDUB 1
Format Vinyl Album
Released 1983
Genre Dub

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Other Titles by Imagination

StreetmixI Know What Love IsIn And Out Of LoveJust An IllusionNight DubbingBody TalkBody TalkBody TalkFound My GirlFound My GirlIn The Heat Of The NightJust An IllusionJust An Illusion (The 1989 Remix) / LTO (Love's Taking Over)Last Days Of SummerLast Days Of Summer


Some Other Artists in the Dub Genre

Sly & RobbieUnique 3Gary Clail & On-U Sound SystemMonyakaConcrete NationOui 3Majestic 12Movement 98Stock, Aitken & WatermanAudiowebLazyboyFaze ActionButch Cassidy Sound System, TheZeke ManyikaBomb The Bass & CarltonSpeeThe Moody BoysI-ShensoundSystem 7Intelligent HoodlumSmith & MightyDubversiveWalkner.MöstlOosh Transglobal UndergroundLarry PeeThe ConceptT.C. CurtisPlatinum Radics & Governor TiggyPeace OrchestraBitty McleanDennis Walks & Billy BoyoG-Flex & The BanditThe Art Of NoiseSophie Ellis-BextorThe Knights Of The Occasional TableMarkus KienzlNew KingdomThe Dread Flimstone SoundCarey Johnson

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Some Other Artists on the R & B Records Label

Louise ThomasDecoupageSavanna

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.