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Green Velvet - Flash (The Relief Remixes) - Open - US Techno

Green Velvet - Flash (The Relief Remixes) - Open - US Techno
Price £10.00

Track Listing

A1 Flash (Orginal Mix)
A2 Flash (DJ Rush Mix)
B1 Flash (DJ Sneak Mix)
B2 Flash (Jellybean Mix)
C1 Flash (Green Velvet Remake)
C2 Flash (Boo Williams Mix)
D1 Flash (Paul Johnson Mix)
D2 (You Don`t Have To Be) Fake And Phoney


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Green Velvet
Title Flash (The Relief Remixes)
Label Open
Catalogue OPENP017
Format Vinyl Double Album
Released 1995
Genre US Techno

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Other Titles by Green Velvet

Answering MachineAnswering Machine (Remixes)Coitus - green vinylConstant ChaosDestination UnknownDestination Unknown EPFlashFlash (Remixes Part 1)Flash (Remixes Part 1)Flash (Remixes)Flash (Remixes)Flash (Remixes) - (DISC 1 ONLY)Flash (Remixes) - (DISC 2 ONLY)Flash (The Relief Remixes)Flash (The Relief Remixes)


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Inner CityModel 500SysexMobyNeedle DamageMike WadeOne On OneRhythmaticDave ClarkeHard HatsParis Grey & Kevin SaundersonReese Project, TheRYUAphroheadLeftfieldTech-Master 3JMD 2cv313Speedy JMacalusoMateo MurphyDJ Marcello & Derrick MayJoey BeltramThis Is WarReel By Real - Juan AtkinsR+S ProjectPlaylandDJ DanExit 100Satoshi TomiieBlow Monkeys, TheAndrew RichleyJosh WinkThe Reese ProjectEscape From BrooklynReidClaude Young & Takasi NakajimaAdam XJay DenhamMark The 909 King

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Some Other Artists on the Open Label

AloudStraylightProgressionDoi-OingMr. MondayFurry PhreaksX-Press 2Deepest BlueCarl Craig & Paperclip PeopleDJ FoodStreet Corner SymphonyPaperclip PeopleFrançois KevorkianBentTrancesetters

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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