Green Velvet - Flash (The Relief Remixes) - Open - US Techno
Track ListingA1 Flash (Orginal Mix)
A2 Flash (DJ Rush Mix)
B1 Flash (DJ Sneak Mix)
B2 Flash (Jellybean Mix)
C1 Flash (Green Velvet Remake)
C2 Flash (Boo Williams Mix)
D1 Flash (Paul Johnson Mix)
D2 (You Don`t Have To Be) Fake And Phoney
Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
|Title||Flash (The Relief Remixes)|
|Format||Vinyl Double Album|
Other Titles by Green Velvet
• Answering Machine • Answering Machine (Remixes) • Coitus - green vinyl • Constant Chaos • Destination Unknown • Destination Unknown EP • Flash • Flash (Remixes Part 1) • Flash (Remixes Part 1) • Flash (Remixes) • Flash (Remixes) • Flash (Remixes) - (DISC 1 ONLY) • Flash (Remixes) - (DISC 2 ONLY) • Flash (The Relief Remixes) • Flash (The Relief Remixes) •
Some Other Artists in the US Techno Genre• Inner City • Model 500 • Sysex • Moby • Needle Damage • Mike Wade • One On One • Rhythmatic • Dave Clarke • Hard Hats • Paris Grey & Kevin Saunderson • Reese Project, The • RYU • Aphrohead • Leftfield • Tech-Master 3 • JMD 2 • cv313 • Speedy J • Macaluso • Mateo Murphy • DJ Marcello & Derrick May • Joey Beltram • This Is War • Reel By Real - Juan Atkins • R+S Project • Playland • DJ Dan • Exit 100 • Satoshi Tomiie • Blow Monkeys, The • Andrew Richley • Josh Wink • The Reese Project • Escape From Brooklyn • Reid • Claude Young & Takasi Nakajima • Adam X • Jay Denham • Mark The 909 King •
Some Other Artists on the Open Label• Aloud • Straylight • Progression • Doi-Oing • Mr. Monday • Furry Phreaks • X-Press 2 • Deepest Blue • Carl Craig & Paperclip People • DJ Food • Street Corner Symphony • Paperclip People • François Kevorkian • Bent • Trancesetters •
Information on the US Techno GenreTechno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.