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Forgemasters - The Black Steel E.P. - Network Records - UK Techno

Forgemasters - The Black Steel E.P. - Network Records - UK Techno
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Track Listing

A1 Pump Me
A2 Stress
B1 Clap
B2 Track With No Name (Communique Mix)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Forgemasters
Title The Black Steel E.P.
Label Network Records
Catalogue NWKT 30
Format Vinyl 12 Inch
Released 1991
Genre UK Techno

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Other Titles by Forgemasters

Quabala EPThe Black Steel E.P.The Black Steel E.P.Track With No NameTrack With No NameTrack With No Name

Some Other Artists in the UK Techno Genre

808 StateLuke SlaterDave AngelUnderworldPhil KieranUtah SaintsShamen, TheOrbitalA Guy Called Gerald21st Century GirlsMobyChristian Smith & John SelwayIan VoidC.P.+CompanyLeague Of SinnersAloof, TheWestBamShimmon & WoolfsonRampSystem 7DJ DeroSpace DjzFlat 6Omar SantanaBandoJustin RobertsonSlam & UNKLED.A.CMasked MenWataru KishidaCircuit BoyMagnetizeFilter ScienceBlakkatIndigoDJ DickAdvent, TheQuenchHavanaAtomizer

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Some Other Artists on the Network Records Label

K.W.S.Reese Project, ThePandellaTrinity, TheRonni SimonAdevaThe Reese ProjectRhythm QuestParis Grey & Kevin SaundersonMah So-LThe Trinity Voodoo SuiteAltern 8Johnny Vicious & MFSB & Johnny Vicious & Satoshi TomiieKWSJohnny Zee & D.J. KendellBeverlei BrownReese Project, The & Funky Green DogsReeseThe Reese Project & CJ MackintoshTrammps, TheReese Project, The & CJ MackintoshRhythim is RhythimCritical RhythmMarc KinchenJohnny Vicious & MFSBK.W.S. & Rhythm QuestMy Friend Sam & PandellaRhythmaticNu Groove LPC&M ConnectionTronikhouseRhythm On The LooseMURKRhythim Is Rhythim & Reese & SantonioMy Friend Sam & Viola WillsTrue FaithLove RevolutionKCL ProjectThe Groove Corporation

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Information on the UK Techno Genre

UK Techno contains techno releases on UK record labels.

Several subgenres were created

Intelligent techno

In 1991 UK music journalist Matthew Collin wrote that "Europe may have the scene and the energy, but it's America which supplies the ideological direction...if Belgian techno gives us riffs, German techno the noise, British techno the breakbeats, then Detroit supplies the sheer cerebral depth". By 1992 a general rejection of rave culture, by a number of European producers and labels who were attempting to redress what they saw as the corruption and commercialization of the original techno ideal, was evident. Following this the ideal of an intelligent or Detroit derived pure techno aesthetic began to take hold. Detroit techno had maintained its integrity throughout the rave era and was inspiring a new generation of so called intelligent techno producers.

As the mid-1990s approached, the term had gained common usage in an attempt to differentiate the increasingly sophisticated takes on EDM from other strands of techno that had emerged,including overtly commercial strains and harder, rave-oriented variants such as breakbeat hardcore, Schranz, Dutch Gabber. Simon Reynolds observes that this progression "...involved a full-scale retreat from the most radically posthuman and hedonistically functional aspects of rave music toward more traditional ideas about creativity, namely the auteur theory of the solitary genius who humanizes technology...".

Warp Records was among the first to capitalize upon this development with the release of the compilation album Artificial Intelligence Of this time, Warp founder and managing director Steve Beckett has said
“ ...the dance scene was changing and we were hearing B-sides that weren't dance but were interesting and fitted into experimental, progressive rock, so we decided to make the compilation Artificial Intelligence, which became a milestone... it felt like we were leading the market rather than it leading us, the music was aimed at home listening rather than clubs and dance floors: people coming home, off their nuts, and having the most interesting part of the night listening to totally tripped out music. The sound fed the scene.”

Warp had originally marketed Artificial Intelligence using the description electronic listening music but this was quickly replaced by intelligent techno. In the same period (1992–93) other names were also bandied about such as armchair techno, ambient techno, and electronica, but all were used to describe an emerging form of post-rave dance music for the sedentary and stay at home. Following the commercial success of the compilation in the United States, Intelligent Dance Music eventually became the phrase most commonly used to describe much of the experimental EDM emerging during the mid to late 1990s.

Although it is primarily Warp that has been credited with ushering the commercial growth of IDM and electronica, in the early 1990s there were many notable labels associated with the initial intelligence trend that received little, if any, wider attention. Amongst others they include: Black Dog Productions (1989), Carl Craig's Planet E (1991), Kirk Degiorgio's Applied Rhythmic Technology (1991), Eevo Lute Muzique (1991), General Production Recordings (1991), New Electronica (1993), Mille Plateaux (1993), 100% Pure (1993), and Ferox Records (1993).

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