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The Reese Project - I Believe - Network Records - US Techno

The Reese Project - I Believe - Network Records - US Techno
Price £5.00

Track Listing

A1 I Believe (Mike Wilson\'s Epic Club Remake)
A2 I Believe (Chez Damier Mix)
B1 The Colour Of Love (Deep Reese Mix)
B2 Direct Me (Joey Negro 1991 Remix)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist The Reese Project
Title I Believe
Label Network Records
Catalogue NWKT63
Format Vinyl 12 Inch
Released 1992
Genre US Techno

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Other Titles by The Reese Project

Direct Me Edition 1I BelieveSo Deep (Edition Two)The Colour Of LoveDirect-Me (Sasha-Remix)I BelieveI BelieveThe Colour Of Love

Some Other Artists in the US Techno Genre

Inner CityMobyOne On OneRhythmaticSysexReese Project, TheHard HatsNeedle DamageParis Grey & Kevin SaundersonDave ClarkeMike WadeModel 500MacalusoMateo MurphyDJ DanBlow Monkeys, TheThis Is WarR+S ProjectLeftfieldJMD 2cv313RYUSatoshi TomiieAphroheadDJ SilverJay DenhamMark The 909 KingWinxEcisterKagamiDJ Marcello & Derrick MayDamon Wild & Tim TaylorRave InternationalDJ JesPositivityReckDavid Hollands & LinusLate Boyz, TheL.A. Williamskinky bros

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Some Other Artists on the Network Records Label

K.W.S.Reese Project, TheTrinity, ThePandellaRonni SimonAdevaThe Trinity Altern 8Paris Grey & Kevin SaundersonRhythm QuestMah So-LVoodoo SuiteKWSJohnny Vicious & MFSB & Johnny Vicious & Satoshi TomiieReeseTrammps, TheReese Project, The & CJ MackintoshMarc KinchenTrue Faith & Bridget Grace & Final CutJohnny Vicious & MFSBK.W.S. & Rhythm QuestJohnny Zee & D.J. KendellThe Reese Project & CJ MackintoshBeverlei BrownReese Project, The & Funky Green DogsTrue FaithEnergiseParis Grey & Nexus 21My Friend Sam & Viola WillsLove Revolution & Neal HowardChez DamierTrue Faith & Rhythm On The LooseUnderground ResistanceThe Reese Project & Funky Green DogsCritical RhythmCycloneFinal Cut - True Faith / RhythmaticJoey Negro & Reese Project, TheMy Friend SamForgemasters

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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