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The Reese Project - I Believe - Network Records - US Techno

The Reese Project - I Believe - Network Records - US Techno
Price £5.00

Track Listing

A1 I Believe (Mike Wilson\'s Epic Club Remake)
A2 I Believe (Chez Damier Mix)
B1 The Colour Of Love (Deep Reese Mix)
B2 Direct Me (Joey Negro 1991 Remix)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist The Reese Project
Title I Believe
Label Network Records
Catalogue NWKT63
Format Vinyl 12 Inch
Released 1992
Genre US Techno

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Other Titles by The Reese Project

Direct Me Edition 1Direct-Me (Sasha-Remix)I BelieveThe Colour Of LoveI BelieveI BelieveThe Colour Of Love

Some Other Artists in the US Techno Genre

Inner CityMobySysexParis Grey & Kevin SaundersonNeedle DamageRYUDave ClarkeMike WadeOne On OneModel 500RhythmaticReese Project, TheHard HatsThis Is WarR+S ProjectLeftfieldTech-Master 3JMD 2cv313Satoshi TomiieAphroheadDJ Marcello & Derrick MayMacalusoMateo MurphyExit 100DJ DanBlow Monkeys, TheRalphi RosarioSteve StollReidAndrew RichleyJosh WinkDamon Wild & NitevisionJeff MillsMarkeyMuratPulseClaude Young & Takasi NakajimaBG Prince Of RapDistorter

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Some Other Artists on the Network Records Label

Reese Project, TheK.W.S.Ronni SimonPandellaTrinity, TheAdevaParis Grey & Kevin SaundersonRhythm QuestMah So-LThe Trinity Voodoo SuiteAltern 8Johnny Vicious & MFSB & Johnny Vicious & Satoshi TomiieReeseKWSJohnny Zee & D.J. KendellRhythim is RhythimBeverlei BrownReese Project, The & Funky Green DogsTrammps, TheReese Project, The & CJ MackintoshCritical RhythmMarc KinchenTrue Faith & Bridget Grace & Final CutJoey Negro & Reese Project, TheJohnny Vicious & MFSBK.W.S. & Rhythm QuestThe Reese Project & CJ MackintoshTronikhouseRhythm On The LooseMURKRhythim Is Rhythim & Reese & SantonioLove RevolutionKCL ProjectRhythim Is Rhythim & Derrick May & MaydayThe Groove CorporationNeal Howard / Nexus 21KrushModel 500Rhythim Is Rhythim & Reese&Santonio

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Information on the US Techno Genre

Techno is a form of electronic dance music (EDM) that emerged in Detroit, Michigan, US during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of Eurocentric synthesizer-based music with various American post-disco and pre-disco music styles such as Chicago house, funk, electro, and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality.In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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