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Eskimos & Egypt - State Of Surrender The Cert X EP - One Little Indian - Techno

Eskimos & Egypt - State Of Surrender The Cert X EP - One Little Indian - Techno
Price £4.50

Track Listing

The £ Side
A1 State Of Surrender (Dub Metal)
A2 Welcome To The Future (Reggae Metal)
The $ Side
B1 Eurodobulous
B2 State Of Surrender (The Butcher)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Eskimos & Egypt
Title State Of Surrender The Cert X EP
Label One Little Indian
Catalogue EEF 95 X
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Eskimos & Egypt

Fall From Grace (Moby Mixes)Don't U Do It - REMIXDon't U Do It!Fall From GraceHomeDon't U Do It!Grace / The Power Of G'N'RRise EPRise EPThe Fall From Grace Tour EPUK-USAUK-USAUK-USA RemixWelcome To The Future Part 1Welcome To The Future Part 2


Some Other Artists in the Techno Genre

808 StateCarl CoxDJ DanWestBamLuke SlaterThe ProdigyThe Chemical BrothersMobySven VäthDave AngelSystem 7UnderworldZombie NationSlamJbsRoel ButzenRedheadIgnition TechnicianUnknown ArtistOrbitalSapianoDavid RoiseuxStacey PullenLostMark SummersCristian VogelKlubzone 1Dynamite Andreas KremerTechnomaniaFrankie BonesSound ExcitersPaul LangleyBob BrownKen IshiEmpirionDj EmersonGTODefinition Of SoundJoff Roach

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Some Other Artists on the One Little Indian Label

Shamen, TheBazSoul Family SensationManchildKelli AliBjörkThe ShamenFinitribeLinda CliffordCredit To The NationEmiliana TorriniSugarcubes, TheCorrina JosephSecret KnowledgePharmacy AllstarsManbreakSkunk AnansieCurtis Lynch JrThe PopinjaysCrispin J.Glover And D\\\'MusikPopinjays, TheFlukeCompulsionRairbirdsOUTCASTThe SugarcubesRemoshKelli AliSupreme Love GodsFifth AmendmentNo-ManKitchens Of DistinctionBig Hard Excellent FishShamen, The & Terence McKennaChumbawamba & DiYHeart Throbs, TheSensationChumbawambaThe Shamen & Terence McKennaChumbawamba & Credit To The Nation

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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