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Klubzone 1 - Soft To Hard b/w Boom Ahh - Ffrreedom - Techno

Klubzone 1 - Soft To Hard b/w Boom Ahh - Ffrreedom - Techno
Price £4.00

Track Listing

A1 Soft To Hard (Full Erect Mix)
A2 Soft To Hard (Cor Blimey Mix)
B1 Soft To Hard (Razor Boy Mirror Man Remix)
B2 Boom Ahh

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Klubzone 1
Title Soft To Hard b/w Boom Ahh
Label Ffrreedom
Catalogue TABX 105
Format Vinyl 12 Inch
Released 1992
Genre Techno

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Other Titles by Klubzone 1

Soft To HardBoom Ahh!Boom Ahh!Soft To Hard b/w Boom AhhBoom Aahh!Boom Ahh! (Remixes)Boom Ahh! (Remixes)Boom Ahh! (Remixes)Soft To HardSoft To Hard (Remix)

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808 StateDJ DanCarl CoxThe ProdigyThe Chemical BrothersEskimos & EgyptWestBamLuke SlaterDave AngelMobySven VäthRoel ButzenRedheadJbsSystem 7Zombie NationSlamUnderworldFrankie BonesSound ExcitersThe ShamenBob BrownKen IshiEmpirionIgnition TechnicianMark SummersDynamite Unknown ArtistPaul LangleyStacey PullenAquarhythmsLostCristian VogelSapianoOrbitalDavid RoiseuxAndreas KremerTechnomaniaBlueSilo

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Some Other Artists on the Ffrreedom Label

JXEscrimaBERRiDattmanE-TypePianomanGood Men, TheTwo CowboysElectrosetE'vokeThe Good MenSoundsationDJ DadoShaftAntonomasiaGlobal MethodIsotonikDJ Misjah & DJ TimPendulumZero BAndronicusOur TribeInteractiveDJ SeductionNew Atlantic & U4EA & BERRiRachid TahaNight Writers, TheHashaEgyptian EmpireNew AtlanticLadycopGongoDeadly SinsA.S.H.A.Power-PillE\'vokeZoogie

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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