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Bryan Zentz - Guttertrax - Bush - Techno

Bryan Zentz - Guttertrax - Bush - Techno
Price £6.00

Track Listing

065
A1 Crankshaft
A2 Engine Case
066
B1 Gear Shifter
B2 Box Cutter


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Bryan Zentz
Title Guttertrax
Label Bush
Catalogue Bush 1031 Edition #1
Format Coloured Vinyl 12 Inch
Released 1996
Genre Techno

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Other Titles by Bryan Zentz

D-ClashKingdom Of The Selfish EPLoving Them Is Dangerous, Hating Them Is FutileLoving Them Is Dangerous, Hating Them Is FutileMtrsklz CollectionSeven BreathsSkufftones 1.0Speaking In Numbers EP


Some Other Artists in the Techno Genre

808 StateThe ShamenEskimos & EgyptSlamThe ProdigyLuke SlaterUnderworldDJ DanWestBamCarl CoxDave ClarkeKen IshiiJbsThe Chemical BrothersSven VäthMobyCristian VogelSubculture (4)Bob BrownKen IshiStacey PullenDynamite Beat In TimeTony CrooksSound ExcitersDave AngelKerosene Roel ButzenIrridiumA Guy Called GeraldBoom Boom SatellitesChelsea GrinMike DearbornNeomorphGroove CycloneJosh WinkLostSilo Donato CapozziApollo 440

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Some Other Artists on the Bush Label

BlakkatGraylockWataru KishidaDevilfishTweetOpen SystemBen TisdallMothership1016RozzoFilter ScienceEric PowellDave ClarkeAstrid Biewanus & Jean Paul Van EngelenBuffalo SoldierApply WithinBitchBlue BaseNine Is FinePlezThe SandmanAphrohead & Felix Da HousecatMiklós KőváriWoody McBrideAndrew McLauchlanBarb WiredTimo MaasJ DanielStrata 3Trinity, TheWayward MindsMiklos KovarDan Jones presents Creative ImpulseThomas SchumacherChangeAphrohead

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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