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808 State - The Extended Pleasure Of Dance EP - ZTT - Techno

808 State - The Extended Pleasure Of Dance EP - ZTT - Techno
Price £4.00

Track Listing

A Cobra Bora (Call The Cops Mix) (4:49)
AA1 Ancodia (Taters Deep Nit Funky Beat Mix) (5:37)
AA2 Cübik (3:36)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist 808 State
Title The Extended Pleasure Of Dance EP
Label ZTT
Catalogue ZANG 2T
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by 808 State

The Extended Pleasure Of Dance EP10 x 10BombadinCübik / OlympicLift / Open Your MindTimebomb10 x 10BombadinCubikGorgeousGorgeousIn Yer FaceIn Yer Face Facially Yours Remix , Leo LeoInsane Lover / FreakInvader


Some Other Artists in the Techno Genre

DJ DanCarl CoxThe Chemical BrothersLuke SlaterThe ProdigyEskimos & EgyptWestBamRedheadDave AngelMobySven VäthAquarhythmsJbsRoel ButzenZombie NationSlamUnknown ArtistUnderworldSystem 7Ken IshiEmpirionLostGTOIgnition TechnicianCristian VogelKlubzone 1Dynamite Andreas KremerTechnomaniaPaul LangleyFrankie BonesBob BrownStacey PullenDigital BoyOrbitalSapianoInnersphereDavid RoiseuxSound ExcitersThe Shamen

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Some Other Artists on the ZTT Label

SealFrankie Goes To HollywoodMC TunesSexusMC Tunes vs 808 StateRhythm Inc.Adamski's ThingShades Of RhythmMC Tunes & 808 StatePublic DemandNovecentoLeilaniThe Art Of NoiseTom JonesAll Saints 1.9.7.5.HonkyArt Of Noise, The808 State & BjörkTaraDoveDavid's DaughtersGrace JonesL.a.z.y.Nasty Rox Inc.808 State & UB40Max Rhythm Inc. & Nevada Hoodlum PriestSun Electric & Inga HumpeFlood, The808 State & BjorkHeights Of AbrahamPropaganda

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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