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Mark Summers - Summers Magic - 4th & Broadway - Techno

Mark Summers - Summers Magic - 4th & Broadway - Techno
Price £4.00

Track Listing

A1 Summers Magic (Unit Mix) (3:55)
A2 Summers Magic (Original Mix) (4:16)
B1 5p Like A Micro (5:39)
B2 Party Children (Remix) (4:16)

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Mark Summers
Title Summers Magic
Label 4th & Broadway
Catalogue 12 BRW 205
Format Vinyl 12 Inch
Released 1990
Genre Techno

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Other Titles by Mark Summers

Melt Your BodyParty Children / Wicked In MombassaParty Children / Wicked In MombassaParty Children, Wicked In MombassaSummers MagicSummers MagicSummers MagicSummers MagicSummers Magic 4 trackerMelt Your BodySummers Magic

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808 StateCarl CoxDJ DanLuke SlaterThe ProdigyThe Chemical BrothersUnderworldRedheadDave AngelMobyEskimos & EgyptWestBamSven VäthRoel ButzenUnknown ArtistSystem 7Zombie NationAquarhythmsSlamOrbitalJbsAndreas KremerTechnomaniaPaul LangleyFrankie BonesSound ExcitersMauro PicottoBob BrownKen IshiEmpirionGTOIgnition TechnicianDigital BoySapianoInnersphereDave ClarkeDavid RoiseuxStacey PullenLostTricky Disco

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Some Other Artists on the 4th & Broadway Label

DON-EWill DowningMica Paris49ersDream WarriorsAlex ReeceLaquanTrouble FunkFreak PowerAct Of FaithTone LocStereo MC'sDave AngelBoo-Yaa T.R.I.B.E.KenyattaDodge City ProductionsDhar BraxtonCashmereMiles JayeDavid GrantSprinklerSteinski&Mass MediaPaul RutherfordSkipworth & TurnerBy All MeansCriminal Element OrchestraPigforceJocelyn BrownFloor Federation & Disco SlutsDef JefChris PaulX-ClanWomack & WomackVertical HoldSkatemaster TateGoldenGwen GuthrieDinoBomb The BassEric B. & Rakim

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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