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Francesco Zappalà & DJ Professor - We Gotta Do It - Media Records - Techno

Francesco Zappalà & DJ Professor - We Gotta Do It - Media Records - Techno
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Track Listing

A We Gotta Do It (Mix In Mix) (9:30)
Part 1 The Techno Style Overture
Part 2 The House - Jazz Development
Part 3 The Enjoyment Of The Techno Sound
Part 4 Falling Into The Jazz Style
Part 5 The Final Techno Explosion
B1 We Gotta Do It (Techno Jazz Mix) (8:30)
Part 1 The Techno Style Overture
Part 2 The House - Jazz Development
Part 3 Introduction To The Techno Paradise
Part 4 The Enjoyment Of The Techno Sound
Part 5 Falling Into Beginning
Part 6 The Final Techno Explosion
B2 We Gotta Do It (Jazz Master Mix) (5:45)
Part 1 Jazz Style
Part 2 Techno Style


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Generic
Artist Francesco Zappalà & DJ Professor
Title We Gotta Do It
Label Media Records
Catalogue MR 581
Format Coloured Vinyl 12 Inch
Released 1991
Genre Techno

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We Gotta Do It


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808 StateThe ShamenEskimos & EgyptDJ DanThe ProdigyLuke SlaterUnderworldSlamJbsDave ClarkeSven VäthMobyThe Chemical BrothersCarl CoxWestBamKen IshiiCristian VogelSound ExcitersDave AngelTony CrooksBlue PearlSubculture (4)Dynamite Stacey PullenKen IshiBob BrownApollo 440Roel ButzenKerosene Beat In TimeGroove CycloneChelsea GrinBoom Boom SatellitesDonato CapozziSilo LostMike DearbornA Guy Called GeraldIrridiumJosh Wink

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Some Other Artists on the Media Records Label

Primax & Kimberly 49ers & Ann-Marie SmithFits Of Gloom49ersMaxcess & Cherokee ClockDianaCappellaClub House & Carl FaniniEast Side BeatClub House feat. CarlAnn-Marie SmithDJ ProfessorSharada House Gang & Valerie EtienneCappella & Loleatta HollowaySharada House GangAnticappella & MC Fixx ItR.A.F. By Picotto & Gigi D'AgostinoGroove Armada49ers Feat. Ann Marie Smith*Sharada* Feat. Valerie E.*Club House

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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