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Dave Clarke - The Compass - Skint - Techno

Dave Clarke - The Compass - Skint - Techno
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Track Listing

A The Compass (5:40)
B The Compass (Terence Fixmer Remix) (6:34)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Dave Clarke
Title The Compass
Label Skint
Catalogue SKINT 73
Format Vinyl 12 Inch
Released 2001
Genre Techno

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Other Titles by Dave Clarke

No One's DrivingShake Your BootySouthsideSouthsideArchive OneBefore I Was So Rudely InterruptedBefore I Was So Rudely InterruptedJust RideNo One's DrivingNo One's DrivingRed 1Red 1 (Remixes)Red 3Red ThreeRed Three


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyThe ShamenUnderworldEskimos & EgyptMobyThe Chemical BrothersSven VäthLuke SlaterWestBamJbsSlamCarl CoxFormatStacey PullenDavid RoiseuxBeat In TimeDynamite Scotti DeepBob BrownOrbitalKerosene SapianoCristian VogelSubculture (4)Roel ButzenSound ExcitersKen IshiSubterfugeTechnomaniaTony CrooksMark SummersMorpheus DJ Dan & Needle DamageLostDonato CapozziA Guy Called GeraldAccess 58Mike Dearborn

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Some Other Artists on the Skint Label

Fatboy SlimX-Press 2Lo-Fidelity AllstarsSpace RaidersFreq NastySparky LightbourneCut La RocScratchy MuffinDr. BoneHardknoxNaemRoland ClarkeInternational PonyArtificial Funk & Nellie EttisonLo Fidelity AllstarsArtificial FunkDan MassCut La Roc & Gary LightbodyLeurojFatboy Slim & Macy GrayBentley Rhythm AceX-Press 2 & David ByrneInternational Pony & StepchildMidfield General & Artificial FunkIndian RopemanFreq Nasty & Rodney PMidfield General & Vila It SpyDanmassRec Rangers & Kool Keith & Heather HunterReqTigaDR BoneRoman FlügelRec RangersDave Clarke & Chicks On SpeedTomas AnderssonFreq Nasty & KovasPhil KieranMidfield General

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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