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Funk D'Void & Percy X & X-Funk - Voyager EP - Soma Quality Recordings - Techno

Funk D'Void & Percy X & X-Funk - Voyager EP - Soma Quality Recordings - Techno
Price £4.00

Track Listing

A Voyager
AA1 Let\'s Go Back
AA2 Breaking Out

Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist Funk D'Void & Percy X & X-Funk
Title Voyager EP
Label Soma Quality Recordings
Catalogue SOMA 108
Format Vinyl 12 Inch
Released 2001
Genre Techno

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Carl Cox808 StateDJ DanWestBamLuke SlaterThe ProdigyThe Chemical BrothersEskimos & EgyptSven VäthUnderworldRedheadDave AngelMobyUnknown ArtistSystem 7Zombie NationAquarhythmsSlamOrbitalJbsRoel ButzenDigital BoySapianoInnersphereDave ClarkeDavid RoiseuxStacey PullenLostTricky DiscoCristian VogelCJ BollandDynamite Andreas KremerTechnomaniaMauro PicottoFrankie BonesSound ExcitersBob BrownKen IshiEmpirion

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SlamChaserEnvoyPressure FunkFunk D'VoidRejuvinationDeepchordSilicone SoulMaster HTony ThomasMaster H & Gene FarrisSkintradeScott Grooves & Roy AyersSobekFunk D'Void & Phil KieranMode 4Phil KieranUniversal PrinciplesSpace DJzScott Grooves & Parliament & FunkadelicSlam & UNKLEVector LoversGene FarrisHystereoMfonNew Soul FusionMaster H & Silicone SoulCommon FactorSharkimaxxSlam & Ann SaundersonMaasSoul InteractiveEast MenDavid Holmes & Stuart McMillanAlex SmokeLiebezeitHuman ArtsSlam & Tyrone PalmerFunk D'Void & Chicco SecciPiece + Jammin'*

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

Data from the Discogs music database. Submit a Release.