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Various - Hardbeat+Bassline - Ozone Recordings - Techno

Various - Hardbeat+Bassline - Ozone Recordings - Techno
Price £10.00

Track Listing

A1 Panic Voices Of Energy
A2 Trak 1 Motion
A3 Simon Mark Say Aagh!
B1 Count Zero Silent Prayer (Remix)
B2 Success Tripwire Acid Base
B3 DJ Mink Hey! Hey! Can U Relate?
C1 On A High Hot
C2 Trak 1 For This
C3 Zone Eternal
D1 On A High Hotter
D2 New Age Technology New Age Technology
D3 1701 Hallucinate

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Various
Title Hardbeat+Bassline
Label Ozone Recordings
Catalogue OZON LP9
Format Vinyl Double Album
Released 1991
Genre Techno

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Other Titles by Various

True Faith The First PhaseLazy DJsFierce Dance Cuts No. 1Regrooves Volume TwoSaturday Night Fever (The Original Movie Sound Track)Serious Beats 1Vox Populi: First Choice Sampler 1993 Volume 1Balearica 20Betta Breaks & Beats Volume 1Chicago Kings And Queens Of HouseDark Acid IIIDeeper Side Of London EPDifferent Worlds EPDiscotheque E.P.DJ Nation Part 3

Some Other Artists in the Techno Genre

808 StateCarl CoxDJ DanLuke SlaterThe ProdigyThe Chemical BrothersEskimos & EgyptWestBamDave AngelMobySven VäthJbsUnderworldRoel ButzenRedheadSystem 7Zombie NationSlamKlubzone 1Dynamite OrbitalAndreas KremerTechnomaniaPaul LangleyFrankie BonesSound ExcitersBob BrownKen IshiEmpirionIgnition TechnicianUnknown ArtistSapianoDavid RoiseuxThe ShamenStacey PullenAquarhythmsLostMark SummersCristian VogelKen Ishii

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Some Other Artists on the Ozone Recordings Label

Simon Mark1703New Age TechnologyInner TranceXl RhythmSuccessTrak OnePanicTrak 1On A HighCount Zero

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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