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Carl Cox - Sensual Sophis-ti-cat / The Player - Worldwide Ultimatum Records - Techno

Carl Cox - Sensual Sophis-ti-cat / The Player - Worldwide Ultimatum Records - Techno
Price £5.00

Track Listing

A Sensual Sophis-ti-cat (5:47)
B1 The Player (7:09)
B2 The Player (Time Waits For No Man Mix) (6:39)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Carl Cox
Title Sensual Sophis-ti-cat / The Player
Label Worldwide Ultimatum Records
Catalogue edel 0090870COX
Format Vinyl 12 Inch
Released 1996
Genre Techno

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Other Titles by Carl Cox

At The End Of The ClichéDoes It Feel Good To YouNon Stop 98/01Phuture 2000Phuture 2000Sensual Sophis-ti-cat / The PlayerSensual Sophis-ti-cat / The PlayerThe Carl Cox / Muzik 5th Birthday Mix CDDirty Bass - inc Trevor Rockcliffe RemixDoes It Feel Good To YouDoes It Feel Good To YouDoes It Feel Good To YouDoes It Feel Good To YouDoes It Feel Good To YouDr. Funk


Some Other Artists in the Techno Genre

808 StateDJ DanThe ShamenThe ProdigyUnderworldSven VäthEskimos & EgyptThe Chemical BrothersMobyDave ClarkeWestBamSlamLuke SlaterFormatJbsOrbitalSubculture (4)Kerosene SubterfugeBeat In TimeMark SummersRoel ButzenBob BrownDynamite David RoiseuxCristian VogelScotti DeepSapianoTony CrooksStacey PullenTechnomaniaKen IshiSound ExcitersLostDonato CapozziMike DearbornAccess 58Morpheus DJ Dan & Needle DamageA Guy Called Gerald

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Some Other Artists on the Worldwide Ultimatum Records Label

DJ DanDJ Dan & Needle DamageJosh AbrahamsEarl Grey

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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