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WestBam - Rock The House - Swanyard Discs Ltd. - Techno

WestBam - Rock The House - Swanyard Discs Ltd. - Techno
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Track Listing

A Rock The House (Original 3-D Mix)
B1 Rock The House (Machines Freak Mix)
B2 Rock The House (Mechanic Inst. Mix)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist WestBam
Title Rock The House
Label Swanyard Discs Ltd.
Catalogue SYDT 13
Format Vinyl 12 Inch
Released 1991
Genre Techno

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Other Titles by WestBam

Roof Is On Fire (Remixes)SaxophoneThe Roof Is On FireThe Roof Is On FireBam Bam BamBam Bam BamBam Bam BamBam Bam BamBam Bam BamIch Bin Ein Bassliner - The Purism Mix by WestBam (Mix CD)Monkey Say, Monkey Do (Remix)Rock The HouseRock The HouseRock The HouseRock The House (Electric Latino Mix)


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808 StateDJ DanThe ShamenThe ProdigyUnderworldEskimos & EgyptThe Chemical BrothersMobySven VäthSlamJbsFormatCarl CoxDave ClarkeLuke SlaterScotti DeepMark SummersDynamite OrbitalStacey PullenKerosene Beat In TimeTony CrooksSubterfugeRoel ButzenSubculture (4)Ken IshiDavid RoiseuxCristian VogelSound ExcitersTechnomaniaSapianoBob BrownMorpheus LostDJ Dan & Needle DamageUnknown ArtistDonato CapozziMike DearbornDoi-Oing

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Some Other Artists on the Swanyard Discs Ltd. Label

Mimmo Mix & Valerie Etienne

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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