Miquel Brown - So Many Men, So Little Time - Record Shack Records - Disco
Track ListingA So Many Men So, Little Time (8:13)
AA So Many Men So, Little Time (Hot Tracks Megamix) (10:34)
Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
|Title||So Many Men, So Little Time|
|Label||Record Shack Records|
|Format||Vinyl 12 Inch|
Other Titles by Miquel Brown
• Black Leather • On The Radio • Close To Perfection • Close To Perfection • Close To Perfection • Footprints In The Sand • Footprints In The Sand • He's A Saint He's A Sinner • He's A Saint, He's A Sinner • Manpower • Manpower - LP • On The Radio • On The Radio • So Many Men, So Little Time • So Many Men, So Little Time •
Some Other Artists in the Disco Genre• Donna Summer • Bee Gees • Diana Ross • Rose Royce • Village People • Evelyn Thomas • Pointer Sisters • Dan Hartman • Amii Stewart • Kelly Marie • Hazell Dean • D-Train • Sister Sledge • Anita Ward • Phil Fearon & Galaxy • Kool & The Gang • Boney M. • Gloria Gaynor • Imagination • Heatwave • The Salsoul Orchestra • Hot Chocolate • Jaki Graham • Cameo • Shalamar • Linx • Princess • Unknown Artist • Sharon Redd • Three Degrees, The • Edwin Starr • Shakatak • Irene Cara • The Fatback Band • Boys Town Gang • Commodores • Gibson Brothers • Damian • Odyssey • Patti Austin •
Some Other Artists on the Record Shack Records Label• Evelyn Thomas • Break Machine • Village People • Seventh Avenue • Barbara Pennington • Eartha Kitt • Enigma • Earlene Bentley • Ashaye • Laura Pallas & Reputations, The • Laura Pallas • Plaza • Sadie Nine • Carol Jiani • Eastbound Expressway • Steve Grant • Touchdown • K.I.D. • Glenn & Chris • Cerrone • Scherrie Payne •
Information on the Disco GenreThe disco sound, style and ethos has its roots in the late 1960s. New York City blacks, gays, heterosexuals, women and Hispanics adopted several traits from the hippies and psychedelia. They included overwhelming sound, free form dancing, "trippy" lighting, colorful costumes, and hallucinogens. Psychedelic soul groups like the Chambers Brothers and especially Sly and The Family Stone influenced proto-disco acts such as Isaac Hayes, Willie Hutch and the Philadelphia Sound discussed in the next paragraph. In addition the positivity, lack of irony and earnestness of the hippies informed proto-disco music like M.F.S.B.'s "Love Is the Message.
Philly and New York soul were evolutions of the Motown sound. The Philly Sound is typified by lavish percussion, which became a prominent part of mid-1970s disco songs. Early songs with disco elements include "Only the Strong Survive" (Jerry Butler, 1968), "Message to Love" (The Jimi Hendrix Experience, 1969), "Soul Makossa" (Manu Dibango, 1972) and "The Love I Lost" (Harold Melvin & The Blue Notes, 1973).
The early disco sound was largely an urban American phenomenon with producers and labels such as SalSoul Records (Ken, Joe and Stanley Cayre), Westend Records (Mel Cheren), Casablanca (Neil Bogart), and Prelude (Marvin Schlachter) to name a few. They inspired and influenced such prolific European dance-track producers as Giorgio Moroder and Jean-Marc Cerrone. Moroder was the Italian producer, keyboardist, and composer who produced many songs of the singer Donna Summer. These included the 1975 hit "Love to Love You Baby", a 17-minute-long song with "shimmering sound and sensual attitude". Allmusic.com calls Moroder "one of the principal architects of the disco sound".
The disco sound was also shaped by Tom Moulton who wanted to extend the enjoyment of the music — thus single-handedly creating the "Remix" which has influenced many other latter genres such as techno, and pop. DJs and remixers would often remix (i.e., re-edit) existing songs using reel-to-reel tape machines. Their remixed versions would add in percussion breaks, new sections, and new sounds. Influential DJs and remixers who helped to establish what became known as the "disco sound" included David Mancuso, Tom Moulton, Nicky Siano, Shep Pettibone, the legendary and much-sought-after Larry Levan, Walter Gibbons, and later, New York–born Chicago "Godfather of House" Frankie Knuckles.
Disco was also shaped by nightclub DJs such as Francis Grasso, who used multiple record players to seamlessly mix tracks from genres such as soul, funk and pop music at discothèques, and was the forerunner to later styles such as house. Women also played important roles at the turntable. Karen Cook, the first female disco DJ in the United States, spun the vinyl hits from 1974 – 1977 at 'Elan, Houston, TX, and also programmed music for clubs throughout the US that were owned by McFaddin Ventures.