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Various - Acme Tunes #1 - Promowax - DJ Turntablist Tools

Various - Acme Tunes #1 - Promowax - DJ Turntablist Tools
Out of Stock

Track Listing

That Side
A1 Beenie Man & Janet Jackson Feel It Boy
A2 Britney Spears & Pharrell Williams Boys (Remix)
A3 Tony! Toni! Toné! Feels Good
This Side
B1 Dr. Dre Down 4 Explosives
B2 Tweet Call (P-Diddy Remix)
B3 Clipse Grindin (Original & Reggae Remix)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
Artist Various
Title Acme Tunes #1
Label Promowax
Catalogue AT-4001
Format Vinyl 12 Inch
Released
Genre DJ Turntablist Tools

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Other Titles by Various

True Faith The First PhaseLazy DJsFierce Dance Cuts No. 1Regrooves Volume TwoSerious Beats 1Vox Populi: First Choice Sampler 1993 Volume 1Betta Breaks & Beats Volume 1Chicago Kings And Queens Of HouseDark Acid IIIDeeper Side Of London EPDifferent Worlds EPDiscotheque E.P.DJ Nation Part 3Electro In The Key Of Detroit Volume 1House Revenge 6


Some Other Artists in the DJ Turntablist Tools Genre

Turntable Dragun'z & DJ MajesticRaw FlavorsNo ArtistJimmie WalkerDJ LBRThe Rhythm KillersVinyl Toolbox vol1Havana HoodzNuyorican SoulJeep Beat CollectiveElisha La'VerneDJ A.P.Unknown ArtistDJ Producer, TheVand VandCutmaster SwiftGroove BoysSkratchy SealScratchaholicsThe Horse Simon Harris45 KingReynald DeschampsThe Original Unknown DJ'sX-RatedPSKITwiztDj HertzDJ RectangleDJ StreakBionic Needle Burner, The & DJ Tox side c&d onlyLe Jad & LigoneDJ Q-BertHomespunBeastie BoysSkratch WeaponsDJ ToolzDaft PunkRoc RaidaDJ Cue

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Some Other Artists on the Promowax Label


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Information on the DJ Turntablist Tools Genre

Vinyl records with samples and beats for use creative turntablist DJ's. Turntablism is the art of manipulating sounds and creating music using phonograph turntables or digital turntables and a DJ mixer. The word 'turntablist' was coined in 1995 by DJ Babu to describe the difference between a DJ who just plays records, and one who performs by touching and moving the records, stylus and mixer to manipulate sound. The new term co-occurred with a resurgence of the art of hip hop style DJing in the 1990s.

John Oswald described the art: "A phonograph in the hands of a 'hiphop/scratch' artist who plays a record like an electronic washboard with a phonographic needle as a plectrum, produces sounds which are unique and not reproduced -- the record player becomes a musical instrument."

Hip-hop turntablist DJs use turntable techniques like beat mixing/matching, scratching, and beat juggling. Some turntablists seek to have themselves recognized as legitimate musicians capable of interacting and improvising with other performers. Some focus on turntable technique while others craft intricate compositions by focusing on mixing.

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