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Carter The Unstoppable Sex Machine - Anytime Anyplace Anywhere - Rough Trade - Indie

Carter The Unstoppable Sex Machine - Anytime Anyplace Anywhere - Rough Trade - Indie
Out of Stock

Track Listing

A Anytime Anyplace Anywhere
B1 Re-Educating Rita
B2 Alternate Title
B3 Randy Sarf Git


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Carter The Unstoppable Sex Machine
Title Anytime Anyplace Anywhere
Label Rough Trade
Catalogue RTT 242
Format Vinyl 12 Inch
Released 1990
Genre Indie

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Other Titles by Carter The Unstoppable Sex Machine

A Sheltered LifeRubbishRubbish101 Damnations30 SomethingAfter The Watershed (Early Learning The Hard Way)Anytime Anyplace AnywhereBloodsport For AllDo Re Me, So Far So GoodLenny And TerenceRubbishRubbishSheriff Fatman


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The FarmTouch Of EvilBedazzledThousand Yard StareThe Soup DragonsWonder Stuff, TheHis Latest FlameJesus JonesFive ThirtyAn Emotional FishSenseless ThingsThat Petrol EmotionThe Darling BudsLivingstoneCUDThe PopinjaysEverything But The GirlInspiral CarpetsFaith BrothersNatural LifeThe Wonder StuffOasisBlurThe MissionIan BrownThe Wedding PresentNed's Atomic DustbinBirdlandSoup Dragons, TheThe HousemartinsMorrisseyPushermanDaytona Gay DadMagic Numbers, TheMy Jealous GodHappy MondaysSensitize Violets, TheTest Icicles

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Some Other Artists on the Rough Trade Label

My Jealous GodThe WoodentopsAztec CameraDelaysSandie ShawLevitation Scritti PolittiSweet JesusVictoria WilliamsHal Sleaford ModsTwo Nice GirlsMiracle LegionSpring Heel JackKonkA.R. KaneThe SmithsThe SundaysButthole SurfersThe Unknown CasesStiff Little FingersMicrodisneyCornershop & Bubbley KaurBelle & SebastianUltramarineCabaret VoltaireShamen, TheDip In The PoolPierre EtoileThe DelaysWoodentops, TheGalaxie 500Smiths, TheMassive Sounds

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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