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Paragliders - Paragliders (Rmx) - (DISC 1 ONLY) - Rising High Records - Techno

Paragliders - Paragliders (Rmx) - (DISC 1 ONLY) - Rising High Records - Techno
Price £4.00

Track Listing

A Paraglide (Humate Remix)
B Paraglide (Original Mix)


Media Condition » Very Good (VG)
Sleeve Condition » Generic
Artist Paragliders
Title Paragliders (Rmx) - (DISC 1 ONLY)
Label Rising High Records
Catalogue RSN 83
Format Vinyl 12 Inch
Released 1994
Genre Techno

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Other Titles by Paragliders

Change Me (Disk Two)LithiumChange MeChange MeChange MeChange Me (Disc One)Change Me (Disc One)LithiumParaglideParagliders (The Remixes)Paragliders (The Remixes) record 2 onlyShare Of Bitterness


Some Other Artists in the Techno Genre

Carl CoxDJ Dan808 StateEskimos & EgyptWestBamThe ProdigySven VäthUnderworldDave AngelThe Chemical BrothersSystem 7SlamJbsLuke SlaterRoel ButzenRedheadMobySapianoDavid RoiseuxStacey PullenZombie NationLostMark SummersCristian VogelKlubzone 1Dynamite Andreas KremerTechnomaniaPaul LangleyJosh WinkFrankie BonesSound ExcitersBob BrownKen IshiEmpirionIgnition TechnicianUnknown ArtistJam & Spoon & PlavkaFatboy SlimTony Thomas

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Some Other Artists on the Rising High Records Label

A Homeboy, A Hippie & A Funki DreddHypnotistThe HypnotistRising High CollectiveEuromastersHypnotist, TheHearts Of SpaceAudio AssaultHunter, Lauks & ParisAerothrobBug O-FourPound & HarrisElectron RyderTranquillizerProject One & Mad CooliMinimalistic SourceCaspar PoundA Homeboy, A Hippie&A Funki DreddN-Trance Prophet Of RagePerry & RhodanNew London School Of ElectronicsRandom AccessPink Elln & Atom HeartCybertraxProject OneLegend BDetuneDub CollectiveThe Dark Syndicate EdenhouseThe Irresistible ForceThe Vision4VoiceSubway InterfaceWagon ChristRed Light District Church Of ExtacyBedouin Ascent

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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