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Yazz - Fine Time - Big Life - Techno

Yazz - Fine Time - Big Life - Techno
Price £4.00

Track Listing

A Fine Time
B Dream (Juan Atkins Remix)

Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good (VG)
Artist Yazz
Title Fine Time
Label Big Life
Catalogue BLR 6 T
Format Vinyl 12 Inch
Released 1989
Genre Techno

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Other Titles by Yazz

Fine TimeWhere Has All The Love Gone?Have MercyOne True WomanAbandon Me (Ramp Mixes)Everybody's Got To Learn Sometime / Calling 2 UFine TimeFine TimeHow LongNever Can Say GoodbyeOne True WomanStand Up For Your Love RightsStand Up For Your Love RightsStand Up For Your Love RightsStand Up For Your Love Rights

Some Other Artists in the Techno Genre

Carl Cox808 StateDJ DanThe ProdigyEskimos & EgyptWestBamUnderworldDave AngelThe Chemical BrothersSven VäthJbsLuke SlaterRoel ButzenRedheadMobySystem 7SlamKlubzone 1Dynamite Andreas KremerTechnomaniaPaul LangleyFrankie BonesSound ExcitersBob BrownKen IshiEmpirionIgnition TechnicianUnknown ArtistSapianoDavid RoiseuxStacey PullenZombie NationLostMark SummersCristian VogelGenieKen IshiiMorpheus Groove Cyclone

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Some Other Artists on the Big Life Label

Blue PearlTruceA Man Called Adam2 Unlimited2 in A RoomCeletiaDamageYazz & The Plastic PopulationAshley & JacksonDigital Underground2-MadJTQCharlotteThe Soup DragonsJTQ & Noel McKoyJunior ReidBoys From MetropolisDebonair ZoomMica ParisSoup Dragons, TheLiazNaughty By NatureK7Rebel MCThe James Taylor Quartet & Noel McKoyJames Taylor Quartet, The & Noel McKoyDesotoGalaSocietyBoom ClubAshley and JacksonRichard MartinKate Peace De La SoulSystem 7Ashley + JacksonMichelle&The World War FourMega City FourState Of Mind

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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