Omar-S - You Want - FXHE Records - Detroit Techno
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Track ListingA1 You Want The Best
A2 A Toast To Momma Rose (Crowd Claps Jacked By Norm Tally)
B That\'s Lil\'Boy
C1 Second Life
C2 The Sound Of Neptune
D1 Don\'t Get In My Way
D2 This Love Is 4 Real
E2 Mandela\'s Gold
F Hear Me Out
G2 Coming Home Mum
Media Condition » Mint (M)
Sleeve Condition » Mint (M)
|Format||Vinyl 4 x Double Album|
Other Titles by Omar-S
• 001 • 006 • 1992 • -998 • 001 • 002 • 002 • 002 • 002 • 002 - blue vinyl • 002 - green vinly • 003 - blue stamped • 003 - blue stamped • 004 • 005 •
Some Other Artists in the Detroit Techno Genre• Underground Resistance • Suburban Knight • Random Noise Generation • Steve Poindexter • Risque III • Theo Parrish • Bottom Feeders, The • Phase90 • Andrew Ashong • Inner City • Aux 88 • Paris • Vintage Future • Bileebob • Fascinating Rhythm • Venomous • 69 • 2 The Hard Way • Terrence Parker • Blake Baxter • Flexitone • Open House & Placid Angles • EMB • Klout • Rhythim Is Rhythim • Tres Demented • R-Tyme • Martian 044 • DeepChord • Psyche • Model 500 / Mayday • K.O.T. • The Martian • 3MB & Juan Atkins • Robert Hood & Floorplan • Jeff Mills • Psyance • Millsart • The Monolith • Nomadico •
Some Other Artists on the FXHE Records Label• Omar-S & Nite Jewel • Omar-S & Oasis • Alex. O. Smith • Omar-S & Shadow Ray • Omar-S & Colonel Abrams •
Information on the Detroit Techno GenreDetroit techno is an early style of electronic music beginning in 1980s. Detroit has been cited as the birthplace of techno music. Prominent Detroit Techno artists include Juan Atkins, Derrick May, and Kevin Saunderson. A distinguishing trait of Detroit techno is the use of analog synthesizers and early drum machines, particularly the Roland TR-909, or, in later releases, the use of digital emulation to create the characteristic sounds of those machines.
Detroit techno music was originally thought of as a subset to Chicago's early style of house. However, some critics believe that the Detroit techno movement was an adjunct to house music, named for the new style of music played at a Chicago nightclub called "The Warehouse". Although producers in both cities used the same hardware and even collaborated on projects and remixes together, Detroiters traded the choir-friendly vocals of House with metallic clicks, robotic voices and repetitive hooks reminiscent of an automotive assembly line. Many of the early techno tracks had futuristic or robotic themes, although a notable exception to this trend was a single by Derrick May under his pseudonym Rhythim Is Rhythim, called Strings of Life. This vibrant dancefloor anthem was filled with rich synthetic string arrangements and took the underground music scene by storm in May 1987. With subtle differences between the genres, clubs in both cities included Detroit techno and Chicago house tracks in their playlists without objection from patrons (or much notice by non-audiophiles).
The three individuals most closely associated with the birth of Detroit techno as a genre are Juan Atkins, Kevin Saunderson and Derrick May, also known as the "Belleville Three". These three high school friends from the Detroit suburb would soon find their basement tracks in dancefloor demand, thanks in part to seminal Detroit radio personality The Electrifying Mojo. Ironically, Derrick May once described Detroit techno music as being a "complete mistake...like George Clinton and Kraftwerk caught in an elevator, with only a sequencer to keep them company.