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Sally Thomsett - The Lotte Berk Exercise Class - Get Physical! - Warwick Records - Disco

Sally Thomsett - The Lotte Berk Exercise Class - Get Physical! - Warwick Records - Disco
Price £4.50

Track Listing

A1 Warm Up
A2 Exercise 1 - Waist & Spine
A3 Exercise 2 - Waist
A4 Exercise 3 - Shoulders And Upper Arms
A5 Exercise 4 - Bust
A6 Exercise 5 - Firm Upper Arms
A7 Exercise 6 - Neck Muscles
A8 Lotte\'s Theme
A9 Gently Does It
A10 Feeling Good
A11 Exercise 7 - Weak Stomachs
A12 Exercise 8 - Advance Stomachs
A13 Exercise 9 - Stomach And Thigh Muscles
B1 Second Breath
B2 Exercise 10 - Flabby Thighs
B3 Exercise 11 - Legs & Thighs
B4 Exercise 12 - Hanging Bottoms
B5 Exercise 13 - Bottoms
B6 Taking A Chance
B7 Exercise 14 - Thighs
B8 The Bottom Line
B9 Exercise 15 - Bottoms
B10 Exercise 16 - More Bottoms
B11 Lotte\'s Theme
B12 Exercise 17 - Waist, Spine And Inner Thighs
B13 Exercise 18 - Waist, Spine And Inner Thighs


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Sally Thomsett
Title The Lotte Berk Exercise Class - Get Physical!
Label Warwick Records
Catalogue WW 5122
Format Vinyl Album
Released 1982
Genre Disco

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Donna SummerBee GeesDiana RossRose RoyceVillage PeopleEvelyn ThomasDan HartmanPointer SistersAmii StewartKelly MarieHazell DeanD-TrainSister SledgeAnita WardKool & The GangPhil Fearon & GalaxyBoney M.ImaginationGloria GaynorHeatwaveThe Salsoul OrchestraCameoMiquel BrownShalamarLinxUnknown ArtistPrincessHot ChocolateJaki GrahamSharon ReddThree Degrees, TheEdwin StarrShakatakIrene CaraBoys Town GangCommodoresGibson BrothersDamianTotal ContrastEnigma

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Information on the Disco Genre

The disco sound, style and ethos has its roots in the late 1960s. New York City blacks, gays, heterosexuals, women and Hispanics adopted several traits from the hippies and psychedelia. They included overwhelming sound, free form dancing, "trippy" lighting, colorful costumes, and hallucinogens. Psychedelic soul groups like the Chambers Brothers and especially Sly and The Family Stone influenced proto-disco acts such as Isaac Hayes, Willie Hutch and the Philadelphia Sound discussed in the next paragraph. In addition the positivity, lack of irony and earnestness of the hippies informed proto-disco music like M.F.S.B.'s "Love Is the Message.

Philly and New York soul were evolutions of the Motown sound. The Philly Sound is typified by lavish percussion, which became a prominent part of mid-1970s disco songs. Early songs with disco elements include "Only the Strong Survive" (Jerry Butler, 1968), "Message to Love" (The Jimi Hendrix Experience, 1969), "Soul Makossa" (Manu Dibango, 1972) and "The Love I Lost" (Harold Melvin & The Blue Notes, 1973).

The early disco sound was largely an urban American phenomenon with producers and labels such as SalSoul Records (Ken, Joe and Stanley Cayre), Westend Records (Mel Cheren), Casablanca (Neil Bogart), and Prelude (Marvin Schlachter) to name a few. They inspired and influenced such prolific European dance-track producers as Giorgio Moroder and Jean-Marc Cerrone. Moroder was the Italian producer, keyboardist, and composer who produced many songs of the singer Donna Summer. These included the 1975 hit "Love to Love You Baby", a 17-minute-long song with "shimmering sound and sensual attitude". Allmusic.com calls Moroder "one of the principal architects of the disco sound".

The disco sound was also shaped by Tom Moulton who wanted to extend the enjoyment of the music — thus single-handedly creating the "Remix" which has influenced many other latter genres such as techno, and pop. DJs and remixers would often remix (i.e., re-edit) existing songs using reel-to-reel tape machines. Their remixed versions would add in percussion breaks, new sections, and new sounds. Influential DJs and remixers who helped to establish what became known as the "disco sound" included David Mancuso, Tom Moulton, Nicky Siano, Shep Pettibone, the legendary and much-sought-after Larry Levan, Walter Gibbons, and later, New York–born Chicago "Godfather of House" Frankie Knuckles.

Disco was also shaped by nightclub DJs such as Francis Grasso, who used multiple record players to seamlessly mix tracks from genres such as soul, funk and pop music at discothèques, and was the forerunner to later styles such as house. Women also played important roles at the turntable. Karen Cook, the first female disco DJ in the United States, spun the vinyl hits from 1974 – 1977 at 'Elan, Houston, TX, and also programmed music for clubs throughout the US that were owned by McFaddin Ventures.

Data from the Discogs music database. Submit a Release.