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No Artist - Serato Scratch Live Control Record Second Edition - Rane Records - DJ Turntablist Tools

No Artist - Serato Scratch Live Control Record Second Edition - Rane Records - DJ Turntablist Tools
Price £6.00

Track Listing

A Control Signal 10 Min (10:00)
B Control Signal 15 Min (15:00)

Media Condition » Very Good (VG)
Sleeve Condition » Very Good Plus (VG+)
Artist No Artist
Title Serato Scratch Live Control Record Second Edition
Label Rane Records
Catalogue CV02
Format Vinyl 12 Inch
Released 2009
Genre DJ Turntablist Tools

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Other Titles by No Artist

Children TalkingEssential Sound EffectsHow To Give Yourself A Stereo Check-OutOff Beat Sound EffectsReturn To SteamRupert And The FirebirdRupert Sings A Golden Hour Of Nursery RhymesSerato Scratch Live Control Record - clear vinylSound Effects No. 2Spectacular Sound Effects In StereoSpectacular Sound Effects In StereoStereo Sound Effects No. 7Stereophonic Demonstration And Sound EffectsThe World Of Railways: Changing TrainsWalt Disney Presents The Story Of Black Beauty

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Turntable Dragun'z & DJ MajesticRaw FlavorsJimmie WalkerDJ LBRThe Rhythm KillersVinyl Toolbox vol1Havana HoodzNuyorican SoulJeep Beat CollectiveElisha La'VerneDJ A.P.Cutmaster SwiftGroove BoysDJ StreakSkratchy SealScratchaholicsThe Horse HomespunReynald DeschampsThe Original Unknown DJ'sX-RatedPSKIButchwax/Darth Fader/Wax FondlerTwiztDj HertzDJ RectangleUnknown ArtistBionic Needle Burner, The & DJ Tox side c&d onlyLe Jad & LigoneDJ Q-BertBeastie BoysSkratch WeaponsDJ ToolzDaft PunkSimon HarrisRoc RaidaDJ Cue45 KingBionic Needle Burner, The & DJ ToxOriginal Unknown DJ's, The

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Information on the DJ Turntablist Tools Genre

Vinyl records with samples and beats for use creative turntablist DJ's. Turntablism is the art of manipulating sounds and creating music using phonograph turntables or digital turntables and a DJ mixer. The word 'turntablist' was coined in 1995 by DJ Babu to describe the difference between a DJ who just plays records, and one who performs by touching and moving the records, stylus and mixer to manipulate sound. The new term co-occurred with a resurgence of the art of hip hop style DJing in the 1990s.

John Oswald described the art: "A phonograph in the hands of a 'hiphop/scratch' artist who plays a record like an electronic washboard with a phonographic needle as a plectrum, produces sounds which are unique and not reproduced -- the record player becomes a musical instrument."

Hip-hop turntablist DJs use turntable techniques like beat mixing/matching, scratching, and beat juggling. Some turntablists seek to have themselves recognized as legitimate musicians capable of interacting and improvising with other performers. Some focus on turntable technique while others craft intricate compositions by focusing on mixing.

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