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Prodigy, The - Smack My Bitch Up - XL Recordings - Techno

Prodigy, The - Smack My Bitch Up - XL Recordings - Techno
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Track Listing

A1 Smack My Bitch Up (LP Version) (5:42)
A2 No Man Army (4:44)
B1 Smack My Bitch Up (DJ Hype Remix) (7:17)
B2 Mindfields (Headrock Dub) (4:34)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good Plus (VG+)
Artist Prodigy, The
Title Smack My Bitch Up
Label XL Recordings
Catalogue XLT 90
Format Vinyl 12 Inch
Released 1997
Genre Techno

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Other Titles by Prodigy, The

BreatheCharlyCharlyCharlyFire • JerichoNo Good (Start The Dance)No Good (Start The Dance)Smack My Bitch UpWind It Up (Rewound)Always Outnumbered, Never OutgunnedBaby's Got A TemperBaby's Got A Temper - (Generic Sleeve)BreatheBreatheBreathe


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenMobyEskimos & EgyptThe Chemical BrothersSven VäthWestBamFormatSlamJbsCarl CoxDave ClarkeLuke SlaterOrbitalStacey PullenKerosene Tony CrooksSapianoScotti DeepRoel ButzenSubterfugeKen IshiBob BrownDynamite David RoiseuxSubculture (4)Beat In TimeMark SummersCristian VogelSound ExcitersTechnomaniaDoi-OingMorpheus Mike DearbornDonato CapozziDJ Dan & Needle DamageLost

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Some Other Artists on the XL Recordings Label

Basement JaxxThe ProdigyDjaimin & DjaybeeLiquidSlackerEbomanRob TisseraJosh WinkJonny L & Silver BulletBasement Jaxx & Dizzee RascalPleasant ChemistryHouse Of PainSource, TheExit EEEChristopher JustEtienne De CrécyBrooklyn Funk EssentialsRozElectric SixEmpirionStrokeJonny LNu-MaticZongaminBlue StatesDome PatrolFrankie Bones & Lenny DeeFlowmastersJohn + JulieU.H.F.Moody Boys, TheBreakbeat EraNatural Born GroovesLayo & Bushwacka!King JustSL2Chrissy WardUgly DucklingCapitol KMaxim

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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