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Josh Wink - Hypnotizin' - XL Recordings - Techno

Josh Wink - Hypnotizin' - XL Recordings - Techno
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Track Listing

A Hypnotizin\' (Original Mix) (7:33)
B Hypnotizin\' (Beatless Mix) (6:42)
C Hypnotizin\' (96 Remix) (5:40)
D1 Hypnotizin\' (Live Version) (7:32)
D2 Hypnotizin\' (Hypnovocal) (1:02)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Near Mint (NM or M-)
Artist Josh Wink
Title Hypnotizin'
Label XL Recordings
Catalogue XLT 71 DJ
Format Vinyl Double 12 Inch
Released 1996
Genre Techno

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Other Titles by Josh Wink

Hypnotizin'Simple Man516 AcidA Higher State Of Wink's Works - CompiledDon't LaughHow's The MusicHypnotizin' - side a&b onlySimple ManSimple ManSimple ManSimple ManSimple Man (Optical Remixes)Superfreak (Freak) Remixes Part 2Thoughts Of A Tranced LoveThoughts Of A Tranced Love


Some Other Artists in the Techno Genre

808 StateDJ DanThe ProdigyUnderworldThe ShamenSven VäthEskimos & EgyptThe Chemical BrothersMobySlamFormatJbsCarl CoxDave ClarkeLuke SlaterWestBamScotti DeepOrbitalStacey PullenKerosene Cristian VogelTony CrooksSapianoRoel ButzenSubterfugeKen IshiBob BrownDavid RoiseuxDynamite Beat In TimeMark SummersSubculture (4)Sound ExcitersTechnomaniaMike DearbornDonato CapozziLostAccess 58Morpheus DJ Dan & Needle Damage

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Some Other Artists on the XL Recordings Label

Basement JaxxThe ProdigyDjaimin & DjaybeeProdigy, TheLiquidSlackerEbomanBasement Jaxx & Dizzee RascalRob TisseraHouse Of PainJonny L & Silver BulletPleasant ChemistrySource, TheChristopher JustExit EEEEtienne De CrécyBrooklyn Funk EssentialsRozEmpirionStrokeNu-MaticElectric SixJonny LCapitol KChrissy WardJohn + JulieFlowmastersFrankie Bones & Lenny DeeUgly DucklingBreakbeat EraNatural Born GroovesZongaminKing JustMoody Boys, TheU.H.F.SL2Dome PatrolBlue StatesMaximDizzee Rascal

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Information on the Techno Genre

Techno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.

The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.

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