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Eddy Grant - Gimme Hope Jo'Anna - ICE - Dub

Eddy Grant - Gimme Hope Jo'Anna - ICE - Dub
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Track Listing

A Gimme Hope Jo\'Anna
B1 Say Hello To Fidel
B2 Living On The Front Line (Live Recording)


Media Condition » Near Mint (NM or M-)
Sleeve Condition » Very Good Plus (VG+)
Artist Eddy Grant
Title Gimme Hope Jo'Anna
Label ICE
Catalogue ICE 12 8701
Format Vinyl 12 Inch
Released 1988
Genre Dub

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Other Titles by Eddy Grant

Walking On SunshineWalking On SunshineAll The HitsCan't Get EnoughCan't Get EnoughCan't Get EnoughCan't Get Enough Of YouCan't Get Enough Of YouCan't Get Enough Of YouDo You Feel My Love - (Generic Sleeve)Do You Feel My Love?Do You Feel My Love?Electric AvenueElectric AvenueElectric Avenue


Some Other Artists in the Dub Genre

Gary Clail & On-U Sound SystemSugar BulletTackheadBeats InternationalBorder CrossingMajestic 12Zeke ManyikaStock, Aitken & WatermanMovement 98F.A.B.MonyakaOui 3Concrete NationGoat DanceThe Whitfield ExpressLazyboyLarry PeeUnitone Rockers & Black SteelIntelligent HoodlumPlatinum Radics & Governor TiggyPeace OrchestraThe MaytalsCashmereKieser.VeltenRaz OharaFrantic LanguageSly & RobbieBomb The Bass & CarltonCheshire CatDJ ShadowYosser's GangBad Street BoyFaze ActionWalkner.MöstlDelaney's Rhythm SectionRed DragonCarey JohnsonAudiowebTerranovaGregory Isaacs

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Some Other Artists on the ICE Label

DianeMighty Gabby & Baxters Road Crowd, TheMighty Gabby & The Baxters Road CrowdCalypso RoseCoach House Rhythm Section, TheThe Antilles

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Information on the Dub Genre

Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.

Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.

Data from the Discogs music database. Submit a Release.