Eddy Grant - Gimme Hope Jo'Anna - ICE - Dub
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Out of Stock |
Track ListingA Gimme Hope Jo\'AnnaB1 Say Hello To Fidel B2 Living On The Front Line (Live Recording) Media Condition » Near Mint (NM or M-) Sleeve Condition » Very Good Plus (VG+) |
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Artist | Eddy Grant | ||
Title | Gimme Hope Jo'Anna | ||
Label | ICE | ||
Catalogue | ICE 12 8701 | ||
Format | Vinyl 12 Inch | ||
Released | 1988 | ||
Genre | Dub |
Other Titles by Eddy Grant
• Walking On Sunshine • Walking On Sunshine • All The Hits • Can't Get Enough • Can't Get Enough • Can't Get Enough • Can't Get Enough Of You • Can't Get Enough Of You • Can't Get Enough Of You • Do You Feel My Love - (Generic Sleeve) • Do You Feel My Love? • Do You Feel My Love? • Electric Avenue • Electric Avenue • Electric Avenue •
Some Other Artists in the Dub Genre• Gary Clail & On-U Sound System • Sugar Bullet • Tackhead • Beats International • Border Crossing • Majestic 12 • Zeke Manyika • Stock, Aitken & Waterman • Movement 98 • F.A.B. • Monyaka • Oui 3 • Concrete Nation • Goat Dance • The Whitfield Express • Lazyboy • Larry Pee • Unitone Rockers & Black Steel • Intelligent Hoodlum • Platinum Radics & Governor Tiggy • Peace Orchestra • The Maytals • Cashmere • Kieser.Velten • Raz Ohara • Frantic Language • Sly & Robbie • Bomb The Bass & Carlton • Cheshire Cat • DJ Shadow • Yosser's Gang • Bad Street Boy • Faze Action • Walkner.Möstl • Delaney's Rhythm Section • Red Dragon • Carey Johnson • Audioweb • Terranova • Gregory Isaacs • |
Some Other Artists on the ICE Label• Diane • Mighty Gabby & Baxters Road Crowd, The • Mighty Gabby & The Baxters Road Crowd • Calypso Rose • Coach House Rhythm Section, The • The Antilles • |
Information on the Dub Genre
Dub is a genre of music which grew out of reggae music in the 1960s, and is commonly considered a subgenre, though it has developed to extend beyond the scope of reggae. Music in this genre consists predominantly of instrumental remixes of existing recordings and is achieved by significantly manipulating and reshaping the recordings, usually by removing the vocals from an existing music piece, emphasizing the drum and bass parts (this stripped down track is sometimes referred to as a 'riddim'). Other techniques include dynamically adding extensive echo, reverb, panoramic delay, techno beats and occasional dubbing of vocal or instrumental snippets from the original version or other works. Dub also sometimes features electronically generated sound effects, or the use of distinctive instruments such as the melodica by artists such as Augustus Pablo.Dub was pioneered by Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others in the late 1960s. Similar experiments with recordings at the mixing desk outside of the dancehall environment were also done by producers Clive Chin and Herman Chin Loy. These producers, especially Ruddock and Perry, looked upon the mixing desk as an instrument, manipulating tracks to come up with something new and different.
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