Fuzz DJ & Unit 700 - Acid Burns - New York City - Sm:)e Communications - Techno
Track ListingA1 Acid Burns Lafayette
A2 Acid Burns Broadway
B1 Acid Burns Meat
B2 Acid Burns 12th Street
Media Condition » Very Good Plus (VG+)
Sleeve Condition » Generic
|Artist||Fuzz DJ & Unit 700|
|Title||Acid Burns - New York City|
|Format||Vinyl 12 Inch Picture Disc|
Some Other Artists in the Techno Genre• 808 State • Carl Cox • DJ Dan • The Prodigy • Eskimos & Egypt • WestBam • Dave Angel • The Chemical Brothers • Sven Väth • Underworld • Roel Butzen • Redhead • Moby • Dave Clarke • System 7 • Slam • Jbs • Luke Slater • Paul Langley • Josh Wink • Frankie Bones • Sound Exciters • Bob Brown • Ken Ishi • Empirion • Ignition Technician • Unknown Artist • Sapiano • David Roiseux • Stacey Pullen • Zombie Nation • Lost • Cristian Vogel • Klubzone 1 • Dynamite • Andreas Kremer • Technomania • Doi-Oing • Hardfloor • Experienced Clubber •
Some Other Artists on the Sm:)e Communications Label• Big Muff • Cevin Fisher • Terry Mullan & Halo • DJ Silver • Blue Amazon • Victor Imbres & Christian Smith • Run-DMC & Jason Nevins • Rae&Christian • The Controls • Mighty Dub Katz • 4 Hero • Kicks Like A Mule • Cevin Fisher A&B only • Circulation • Rob Base & DJ E-Z Rock • Air Liquide • Run DMC Vs Jason Nevins •
Information on the Techno GenreTechno is a form of electronic dance music that emerged in Detroit, Michigan in the United States during the mid to late 1980s. The first recorded use of the word techno, in reference to a genre of music, was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of subgenres have been built.
The initial take on techno arose from the melding of European electronic music by artists such as Kraftwerk with African American music including funk, electro, Chicago house and electric jazz. Added to this is the influence of futuristic and fictional themes that are relevant to life in American late capitalist society—particularly the book The Third Wave by Alvin Toffler. Pioneering producer Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism. To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".
Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance. "Techno" is also commonly confused with generalized descriptors, such as electronic music and dance music.