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The Soup Dragons - Mother Universe - Big Life - Indie

The Soup Dragons - Mother Universe - Big Life - Indie
Price £4.00

Track Listing

A Mother Universe (Love Dub) (7:18)
AA1 Mother Universe (Solar Dub) (5:40)
AA2 Mother Universe (7\" Version) (3:20)


Media Condition » Very Good Plus (VG+)
Sleeve Condition » Very Good (VG)
Artist The Soup Dragons
Title Mother Universe
Label Big Life
Catalogue RTV 8T
Format Vinyl 12 Inch
Released 1990
Genre Indie

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Other Titles by The Soup Dragons

Divine ThingElectric Blues (Dub)Head Gone AstrayI'm Free / Backwards Dog RemixesMother UniverseMother Universe


Some Other Artists in the Indie Genre

The FarmWonder Stuff, TheBedazzledNirvanaEatInspiral CarpetsThe Darling BudsNed's Atomic DustbinOasisThe SmithsPop Will Eat ItselfSenseless ThingsFaith BrothersCarter The Unstoppable Sex MachineIan BrownRadioheadSugarcubes, TheBlurFive ThirtyEverything But The GirlThe WoodentopsThe PopinjaysHigh, TheSnow PatrolTest IciclesApples, TheThat Petrol EmotionDeparture, TheThe KillersNatural LifeIcicle Works, TheBirdlandBardots, TheKaiser ChiefsTimbuk 3Goodbye Mr. MackenzieSweet JesusThe Railway ChildrenSoup Dragons, ThePusherman

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Some Other Artists on the Big Life Label

Blue PearlYazzTruceDamageAshley & Jackson2-MadA Man Called AdamCeletiaJTQ2 UnlimitedYazz & The Plastic PopulationCharlotteBoys From MetropolisDebonair Zoom2 in A RoomJTQ & Noel McKoyJunior ReidK7Rebel MCDigital UndergroundJames Taylor Quartet, The & Noel McKoyDesotoGalaMica ParisDFPSoup Dragons, TheNaughty By NatureState Of MindKK Kings, TheKate Love To InfinityPeace De La SoulAshley&JacksonMega City FourSocietyBoom ClubAshley and JacksonLiazRichard Martin

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Information on the Indie Genre

Indie pop is a genre of alternative rock music that originated in the United Kingdom in the mid 1980s, with its roots in the Scottish post-punk bands on the Postcard Records label in the early '80s such as Orange Juice and Josef K and the dominant UK independent band of the mid eighties, The Smiths. While the term 'indie' had been used for some time to describe artists on independent labels (and the labels themselves), the key moment in the naming of the genre was the release of NME's C86 tape in 1986. Although featuring a wide range of bands including Primal Scream, Bogshed, Half Man Half Biscuit, and The Wedding Present, it over time became shorthand for a genre known by a variety of terms. Initially it was dubbed 'C86' (after the tape itself), the more ambiguous indie pop, Cutie or a term coined by John Peel: shambling bands. Retrospectively, especially in the United States, the terms twee and twee pop were used, initially ironically, due to what commentators called the "revolt into childhood" of its followers. Musically its key characteristics were jangling guitars, a love of sixties pop and often fey, innocent lyrics. The UK label Sarah Records and its most popular band The Field Mice, although more diverse than the label indicates, were probably its most typical proponents. It was also inspired by the DIY scene of punk and there was a thriving fanzine, label and club and gig circuit. Scenes later developed in the United States particularly around labels such as K Records. Genres such as Riot Grrrl and bands as diverse as Nirvana, Manic Street Preachers, and Belle and Sebastian have all acknowledged its influence.

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